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Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Enemy

Wednesday, 31 December 2014 Read more...

Best of 2014: Theatre

Monday, 29 December 2014 Read more...

Annie

Monday, 22 December 2014 Read more...

Big Eyes

Friday, 19 December 2014 Read more...

Cats, London Palladium

Saturday, 13 December 2014 Read more...

St Vincent

Thursday, 04 December 2014 Read more...

My Old Lady

Saturday, 22 November 2014 Read more...

Mike Nichols, 1931-2014

Friday, 21 November 2014 Read more...

Behind the Beautiful Forevers, National Theatre

Wednesday, 19 November 2014 Read more...

White Christmas, Dominion Theatre

Friday, 14 November 2014 Read more...

Mr Turner

Friday, 31 October 2014 Read more...

Our Town, Almeida Theatre

Saturday, 18 October 2014 Read more...

LFF 2014: A Little Chaos

Saturday, 18 October 2014 Read more...

Here Lies Love, National Theatre

Wednesday, 15 October 2014 Read more...

Effie Gray

Wednesday, 08 October 2014 Read more...

Urinetown, Apollo Theatre

Wednesday, 08 October 2014 Read more...

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If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and...

theartsdesk Radio Show 37 - Pete Lawrence of the Big Chill d...

This edition of Peter Culshaw’s peripatetic...

Little Trouble Girls review - masterful debut breathes new l...

Taking its title from a Sonic Youth track whose lyrics describe someone who seems good on the outside but is bad inside, this debut...

Young Mothers review - the Dardennes explore teenage motherh...

“Not even an animal would do what she did.” Jessica (Babette Verbeek) is speaking about her biological mother, who abandoned her when she was a...

Album: CMAT - EURO-COUNTRY

Queen of the earworm Ciara Mary-Alice Thompson has had quite the summer, capturing imaginations and sparking indignation. The brazen hussy has the...

BBC Proms: The Marriage of Figaro, Glyndebourne Festival rev...

One door closes, and another one opens. A lot. It’s extraordinary what value those two simple additions to the Royal Albert Hall stage lent to...

Fat Ham, RSC, Stratford review - it's Hamlet Jim, but n...

$8.2B. That’s what can happen when you re-imagine ...

King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...