mon 22/09/2025

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Willie Nelson - First Rose of Spring

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Romeo and Michele Stodart Present… The Thank-You Green Note Fundraiser, YouTube review - saving Camden's go-to music venue

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Laura Marling, Union Chapel, YouTube review - communication breakdown

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Album: Dion - Blues With Friends

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Billy Bragg in support of The Leadmill, Facebook Live review - a fundraising success of a lounge act

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Album: Steve Earle & The Dukes - Ghosts of West Virginia

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The Shadows at Sixty, BBC Four review - pop's age of innocence

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Album: Fink, Bloom Innocent - Acoustic

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Now is the hour - 103 and trending: Dame Vera Lynn eight decades after her debut

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Clive Davis: The Soundtrack of Our Lives, Netflix review - a friendly provocateur

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Album: Nels Andrews - Pigeon and The Crow

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Album: Pokey LaFarge - Rock Bottom Rhapsody

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Elton John’s iHeart Living Room Concert for America, YouTube review - the real star was a Mayo Clinic doctor named Elvis

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A simple twist of fate - how a chance encounter with 'Joan Baez, Vol 2' 50 years ago led to a festival in Downtown Manhattan

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Rock ‘n’ Roll Island: Where Legends Were Born, BBC Four review - remembering rock's big bang

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The Story of Ready Steady Go!, BBC Four review - when life was fab

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Writing in her diary just over 100 years ago on 19th June 1923, Virginia Woolf wrote: “In this...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...