wed 08/05/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Katie Melua - Album No 8

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Album: Loudon Wainwright III with Vince Giordano & The Nighthawks – I’d Rather Lead a Band

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Bob Woodward: Rage review - terror and tyranny in the White House

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Singer-songwriter Mary Chapin Carpenter: 'I wanted to do something. I wanted to be useful in some way'

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Album: Suzanne Vega - An Evening of New York Songs and Stories

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Cara Dillon Live at Cooper Hall, YouTube review - a warm Irish welcome

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Album: Tanya Donelly and The Parkington Sisters

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Jenny Diski: Why Didn’t You Just Do What You Were Told? Essays review - a posthumous collection from the pages of the LRB

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Album: Courtney Marie Andrews - Old Flowers

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Rockfield: The Studio on the Farm, BBC Four review - the amazing story of Britain's own honky chateau

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Album: Rufus Wainwright - Unfollow the Rules

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Album: Willie Nelson - First Rose of Spring

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Romeo and Michele Stodart Present… The Thank-You Green Note Fundraiser, YouTube review - saving Camden's go-to music venue

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Laura Marling, Union Chapel, YouTube review - communication breakdown

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Album: Dion - Blues With Friends

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Billy Bragg in support of The Leadmill, Facebook Live review - a fundraising success of a lounge act

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Brancusi, Pompidou Centre, Paris review - founding father of...

One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...

Album: Bab L'Bluz - Swaken

Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms...

Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...

To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...

Album: Pokey LaFarge - Rhumba Country

Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...

L'Olimpiade, Irish National Opera review - Vivaldi...

In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...

Red Eye, ITV review - Anglo-Chinese relations tested in junk...

Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...

Album: Josienne Clarke - Parenthesis, I

Parentheses, I is an album title  (I) – that’s a hieroglyph of the self, the brackets like...

Music Reissues Weekly: West Coast Consortium - All The Love...

West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too...

Love Lies Bleeding review - a pumped-up neo-noir

Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger...

Remembering conductor Andrew Davis (1944-2024)

As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...