thu 19/06/2025

Liz Thomson

Liz Thomson's picture
Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Lucinda Williams - Stories from a Rock ‘n’ Roll Heart

Read more...

Polly Toynbee: An Uneasy Inheritance - My Family and Other Radicals review - looking back

Read more...

Album: Rufus Wainwright - Folkocracy

Read more...

Gretchen Peters, Cadogan Hall review - writer and performer of exquisite gems

Read more...

Album: The Milk Carton Kids - I Only See the Moon

Read more...

Album: Rodrigo y Gabriela - In Between Thoughts… A New World

Read more...

Album: Reg Meuross - Stolen from God

Read more...

Suzanne Vega, Royal Festival Hall review - the years melt away

Read more...

Album: Willie Nelson - I Don't Know a Thing About Love: The Songs of Harlan Howard

Read more...

Transatlantic Sessions, Southbank Centre - an evening of stellar music-making

Read more...

Album: Shania Twain - Queen of Me

Read more...

Albums of the Year 2022: Janis Ian - The Light at the End of the Line

Read more...

Album: Neil Diamond - A Neil Diamond Christmas

Read more...

Mary Gauthier, Union Chapel review - a living room concert in all but name

Read more...

The Manhattan Transfer, Queen Elizabeth Hall review - a class act

Read more...

Barbara Dickson, Cecil Sharp House review - intimate and beautifully paced

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...