thu 19/06/2025

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Barbara Dickson - Time is Going Faster

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Album: Elvis Costello - Hey Clockface

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Album: Melody Gardot - Sunset in the Blue

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Album: Katie Melua - Album No 8

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Album: Loudon Wainwright III with Vince Giordano & The Nighthawks – I’d Rather Lead a Band

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Bob Woodward: Rage review - terror and tyranny in the White House

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Singer-songwriter Mary Chapin Carpenter: 'I wanted to do something. I wanted to be useful in some way'

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Album: Suzanne Vega - An Evening of New York Songs and Stories

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Cara Dillon Live at Cooper Hall, YouTube review - a warm Irish welcome

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Album: Tanya Donelly and The Parkington Sisters

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Jenny Diski: Why Didn’t You Just Do What You Were Told? Essays review - a posthumous collection from the pages of the LRB

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Album: Courtney Marie Andrews - Old Flowers

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Rockfield: The Studio on the Farm, BBC Four review - the amazing story of Britain's own honky chateau

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Album: Rufus Wainwright - Unfollow the Rules

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Album: Willie Nelson - First Rose of Spring

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Romeo and Michele Stodart Present… The Thank-You Green Note Fundraiser, YouTube review - saving Camden's go-to music venue

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'We are bowled over!' Thank you for your messages... ...
Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...