Igor Toronyi-Lalic

Bio

Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

Miss Fortune, Royal Opera Tuesday, 13 March 2012 Read more...	Kaufmann, CBSO, Nelsons, Symphony Hall, Birmingham Thursday, 08 March 2012 Read more...
AV Festival, Newcastle/ Heiner Goebbels's Surrogate Cities, RFH/ London Contemporary Orchestra, Brunt, The Roundhouse Monday, 05 March 2012 Read more...	Ana Silvera, Imogen Heap, Estonian Television Girls Choir, Holst Singers, Reverb 2012 Tuesday, 28 February 2012 Read more...
The Death of Klinghoffer, English National Opera Sunday, 26 February 2012 Read more...	La Clemenza di Tito, Barbican Hall Saturday, 25 February 2012 Read more...
Powerless Structures, Fig. 101, Fourth Plinth Thursday, 23 February 2012 Read more...	Roméo et Juliette: Orchestra of the Age of Enlightenment, Elder, Royal Festival Hall Sunday, 19 February 2012 Read more...
New York Philharmonic, Gilbert, Barbican Friday, 17 February 2012 Read more...	Richard Goode, Royal Festival Hall (2012) Monday, 13 February 2012 Read more...
Hough, London Philharmonic Orchestra, Alsop, Royal Festival Hall Thursday, 09 February 2012 Read more...	2011: Reality 1, Art 0 Monday, 02 January 2012 Read more...
Jeanne d'Arc au Bûcher, London Symphony Orchestra, Alsop, Barbican Hall Saturday, 05 November 2011 Read more...	La Sonnambula, Royal Opera Thursday, 03 November 2011 Read more...
DVD: The Tree of Life Friday, 28 October 2011 Read more...	Beethoven Cycle, Concert 1: Leipzig Gewandhaus, Chailly, Barbican Hall Tuesday, 25 October 2011 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

From Historical to Hip-Hop, Classically Black Music Festival...

To hear Kadiatu Kanneh-Mason speaking live is to hear a woman...

Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...