Igor Toronyi-Lalic
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.
Articles By Igor Toronyi-Lalic
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Out There, ITV1 review - drugs and thugs disfigure the Welsh...
If nothing else, ITV’s new thriller Out There is a fabulous advertisement for the Welsh countryside. Many scenes were shot in Brecon and...
William Tell review - stirring action adventure with silly d...
Despite Rossini’s banger of an overture and a Looney Tunes cartoon starring Daffy Duck as William Tell, I’ll wager that few non-German-speakers...
Tiffin Youth Choir, London Philharmonic Orchestra and Chorus...
When Vladimir Jurowski planned this typically unorthodox programme, he could not have known that a disaster even greater, long-term, than 9/11 was...
Celtic Connections: Orchestral Qawwali Project, GRIT Orchest...
Once again, Glasgow’s annual winter festival of traditional...
David Lynch: In Dreams (1946-2025)
David Lynch’s final two features mapped a haunted Hollywood of curdled innocence and back-alley eeriness. Mulholland Drive (2001) seemed...
Kyoto, Soho Place Theatre - blistering, darkly witty play ra...
It took a while for journalists to identify the chain-smoking, Machiavellian figure who was a permanent presence at early international gatherings...
A Good House, Royal Court review - provocative, but imperfec...
Most Brits don’t know much about South Africa today, but we do know about house values, so this new comedy by South African playwright and...
Ben Elton, Duke of York's Theatre review - big subjects...
Ben Elton loves a scrap. The Motormouth of yesteryear, who made his name attacking Margaret Thatcher and her policies (and being attacked by the...