mon 20/10/2025

Igor Toronyi-Lalic

Igor Toronyi-Lalic's picture
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

BBC Proms: Ax, Chamber Orchestra of Europe, Haitink/ Hewitt, BBC Scottish Symphony Orchestra, Manze

Read more...

BBC Proms: BBC Scottish Symphony Orchestra, Ilan Volkov/ Viktoria Mullova, Matthew Barley

Read more...

The Emperor of Atlantis, Arcola Theatre

Read more...

The Rite of Spring, Peckham Car Park/ Yellow Lounge, London Bridge Arches

Read more...

BBC Proms: Arditti Quartet, BBC National Orchestra of Wales, Fischer

Read more...

BBC Proms: Mahler 9, Stuttgart Radio Symphony Orchestra, Norrington

Read more...

BBC Proms: Verdi's Requiem, BBCSO, Bychkov

Read more...

BBC Proms: Osborne, BBC Philharmonic, Mena

Read more...

BBC Proms: Orchestre Philharmonique de Radio France, Chung/ Erben, Belcea Quartet

Read more...

BBC Proms: William Tell, Orchestra of the Academy of Santa Cecilia, Pappano

Read more...

DVD: The Music Lovers

Read more...

Colin Currie, Pierre-Laurent Aimard, CBSO, BCMG, Oliver Knussen, Aldeburgh Festival

Read more...

Madama Butterfly, Royal Opera

Read more...

Two Boys, English National Opera

Read more...

The Infernal Comedy, Barbican Hall

Read more...

Maxwell Davies's Eight Songs for a Mad King/ Birtwistle's Secret Theatre, Queen Elizabeth Hall

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Bryony Kimmings, Soho Walthamstow review - captivating tale...

Bryony Kimmings’ new show - her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...

The Lemonheads' 'Love Chant' is a fine return...

The Lemonheads were one of the original punk-pop outfits and have been an on-off going concern for 40 years. However, singer, guitarist,...

Anja Mittermüller, Richard Fu, Wigmore Hall review - a glori...

Helping to build the careers of superb young singers is what Wigmore Hall has done for decades: I still remember Olaf Bär’s debut in the hall...

Music Reissues Weekly: Evie Sands - I Can’t Let Go

Over 1965 to 1968 Brooklyn's Evie Sands issued a string of singles with classic top sides. Amongst them were “Take Me For a Little While,” “I Can'...