sat 13/04/2024

Igor Toronyi-Lalic

Igor Toronyi-Lalic's picture
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

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Ellie Goulding, Royal Philharmonic Concert Orchestra, Royal...

For a singer so often sampled in electronic dance music, it’s a high-end...

Album: A Certain Ratio - It All Comes Down to This

After a long period of relative inactivity, the last five years has had A Certain Ratio getting the bit between their teeth, trying out new sounds...

Back to Black review - rock biopic with a loving but soft to...

Sam Taylor-Johnson has fashioned her biopic of Amy Winehouse with great care and affection, but sometimes, as she shows her subject...

Sheku Kanneh-Mason, Philharmonia Chorus, RPO, Petrenko, RFH...

Purple patches flourished in the first half of this admirable programme: it could hardly have been otherwise given Sheku Kanneh-Mason’s devotion...

Six Chick Flicks, Leicester Square Theatre review - funny, f...

Spoofing movies or movie genres has been done before, but Six Chick Flicks goes the extra mile. It's a funny, frenetic and...

Civil War review - God help America

Alex Garland’s fourth movie as writer/director is a chilling glimpse of an...

The Teachers' Lounge - teacher-pupil relationships unde...

The Teachers’ Lounge should really have been translated into English as The Staffroom, but that’s a minor gripe. Focussing on a...

Album: Maggie Rogers - Don't Forget Me

For the past almost two years, Maggie Rogers has taken an unexpectedly special place in my heart and musical tastes. Upon reviewing her previous...

Aci by the River, London Handel Festival, Trinity Buoy Wharf...

“Site-specific” performance locations rarely come more atmospheric, or evocative, than this one. Beyond the East India Dock basin, with the...