Igor Toronyi-Lalic

Bio

Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

Così fan tutte, Royal Opera/ Joyce DiDonato, Wigmore Hall Saturday, 30 January 2010 Read more...	LPO, Vänskä, Royal Festival Hall Thursday, 28 January 2010 Read more...
Birmingham Contemporary Music Group, Oliver Knussen, Wigmore Hall Monday, 25 January 2010 Read more...	The Rake's Progress, Royal Opera House Friday, 22 January 2010 Read more...
Phaedra, Barbican Monday, 18 January 2010 Read more...	Hans Werner Henze Day, Barbican Sunday, 17 January 2010 Read more...
The Seckerson Tapes: Edward and Igor look back at 2009 Saturday, 02 January 2010 Read more...	La Bohème, Royal Opera Monday, 21 December 2009 Read more...
Ingrid Fliter, Wigmore Hall Wednesday, 16 December 2009 Read more...	Britten Sinfonia, Wigmore Hall Wednesday, 16 December 2009 Read more...
Royal Concertgebouw, Jansons, Barbican Monday, 14 December 2009 Read more...	Imogen Cooper, QEH Wednesday, 09 December 2009 Read more...
Nikolai Demidenko, Wigmore Hall Monday, 07 December 2009 Read more...	Philippe Jaroussky, Concerto Cologne, Barbican Thursday, 03 December 2009 Read more...
theartsdesk Q&A: Composer George Crumb Sunday, 29 November 2009 Read more...	Leonidas Kavakos, Camerata Salzburg, QEH Saturday, 28 November 2009 Read more...

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'We are bowled over!' Thank you for your messages... ...

Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...
If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...

The Lady from the Sea, Bridge Theatre review - flashes of br...
Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from...

How to be a Dancer in 72,000 Easy Lessons, Teaċ Daṁsa review...
Anyone who has followed the trajectory of choreographer-director Michael Keegan-Dolan and his West Kerry-based company Teaċ Daṁsa (House of...

Happyend review - the kids are never alright
Perhaps only in Japan might it be thought the height of delinquency for a bunch of schoolkids is to spend the night sneaking back to school,...

Romans: A Novel, Almeida Theatre review - a uniquely extraor...
OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch’s Romans: A Novel at the...

Album: Biffy Clyro - Futique
For the trio of Biffy Clyro, the years since their previous album, 2021’s The Myth Of The Happily...