Igor Toronyi-Lalic

Bio

Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

Così fan tutte, Royal Opera/ Joyce DiDonato, Wigmore Hall Saturday, 30 January 2010 Read more...	LPO, Vänskä, Royal Festival Hall Thursday, 28 January 2010 Read more...
Birmingham Contemporary Music Group, Oliver Knussen, Wigmore Hall Monday, 25 January 2010 Read more...	The Rake's Progress, Royal Opera House Friday, 22 January 2010 Read more...
Phaedra, Barbican Monday, 18 January 2010 Read more...	Hans Werner Henze Day, Barbican Sunday, 17 January 2010 Read more...
The Seckerson Tapes: Edward and Igor look back at 2009 Saturday, 02 January 2010 Read more...	La Bohème, Royal Opera Monday, 21 December 2009 Read more...
Ingrid Fliter, Wigmore Hall Wednesday, 16 December 2009 Read more...	Britten Sinfonia, Wigmore Hall Wednesday, 16 December 2009 Read more...
Royal Concertgebouw, Jansons, Barbican Monday, 14 December 2009 Read more...	Imogen Cooper, QEH Wednesday, 09 December 2009 Read more...
Nikolai Demidenko, Wigmore Hall Monday, 07 December 2009 Read more...	Philippe Jaroussky, Concerto Cologne, Barbican Thursday, 03 December 2009 Read more...
theartsdesk Q&A: Composer George Crumb Sunday, 29 November 2009 Read more...	Leonidas Kavakos, Camerata Salzburg, QEH Saturday, 28 November 2009 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...
"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons
Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak
The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...
Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...
Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed
Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...
Alison Spittle, Monkey Barrel ★★★
Alison Spittle is fat, she tells us at the top of the show. But not as...