tue 17/09/2024

Helen Hawkins

Articles By Helen Hawkins

Dinner with Groucho, Arcola Theatre review - often opaque

Read more...

Blood, Sex & Royalty, Netflix review - yo, bros, get down with the GOAT, Henry VIII

Read more...

The White Lotus, Season 2, Sky Atlantic review - the sizzling hit drama moves to Italy, but with less fizz

Read more...

Elephant, Bush Studio review - stirring solo show from rising star Anoushka Lucas

Read more...

Blues for an Alabama Sky, National Theatre review - superb cast and production for this period hit

Read more...

The Solid Life of Sugar Water, Orange Tree Theatre review - two-hander gets a punchy refresh

Read more...

TS Eliot: Into The Waste Land, BBC Two / Four Quartets, Starring Ralph Fiennes, BBC Four review - a great 100th birthday present to a giant of modern literature

Read more...

This England, Sky Atlantic review - how Boris's No 10 got Covid wrong

Read more...

Crossfire, BBC One review - pacy and nail-biting, the holiday from hell

Read more...

Bright Half Life, Kings Head Theatre review - ups and downs of a tender lesbian love affair

Read more...

Handbagged, Kiln Theatre review - triumphant revival of Moira Buffini's comedy

Read more...

The Clinic, Almeida Theatre review - race and the status quo

Read more...

The Capture, Series 2 finale, BBC One review - gripping ride to a barnstorming conclusion

Read more...

Munich Games, Sky Atlantic review - superbly crafted thriller races to prevent a terrorist attack

Read more...

Marriage, BBC One review - a brilliantly executed drama series with a big heart

Read more...

South Pacific, Sadler's Wells review - strong singing in Daniel Evans's fast-paced production

Read more...

Pages

latest in today

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...