fri 18/07/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Bowers-Broadbent, Theatre of Voices, Kings Place - grit needed in the oyster

Read more...

Clarke, Ränzlöv, The Mozartists, Page, Wigmore Hall - young Mozart among the giants

Read more...

Suzman, London Schools Symphony Orchestra, Edwards, Barbican review - a cabaret from hell

Read more...

National Youth Orchestra of Great Britain, Martín, Barbican review - songs of protest and resilience

Read more...

Celebrating the musicals of Jerry Herman (1931-2019)

Read more...

Best of 2019: Classical concerts

Read more...

Best of 2019: Opera

Read more...

theartsdesk Q&A: Conductor Olari Elts in Tallinn

Read more...

theartsdesk in Zurich and Tallinn: celebrating great Estonians

Read more...

Cargill, LSO, Pappano, Barbican review - high anxiety and visionary gleams

Read more...

Charpentier Christmas settings, Solomon's Knot, St John's Smith Square review - pastoral shades

Read more...

theartsdesk Q&A: Conductor Semyon Bychkov in Prague

Read more...

Haas Hommage à Bridget Riley, London Sinfonietta, Lubman, QEH review - vibrant abstraction

Read more...

Remembering Mariss Jansons (1943-2019)

Read more...

Kolesnikov, Tsoy, Currie, Walton, Wigmore Hall review - mesmerising sonorities

Read more...

Peter Grimes, Bergen Philharmonic Orchestra, Gardner, RFH review - more instrumental than vocal intensity

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...

Poor Clare, Orange Tree Theatre review - saints cajole us si...

What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons...

Album: Alex Warren - You'll Be Alright, Kid

The best-selling single so far this year in the UK is ...

That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...

Hamlet, Buxton International Festival review - how to re-ima...

Ambroise Thomas’s version of Hamlet is the flagship production of this year’s Buxton International Festival and was always going to be a...

Friendship review - toxic buddy alert

The frenetic brand of humour that Tim Robinson brings to Friendship comes from a long lineage. There have...

Album: Slikback - Attrition

In the eternal now of the strobe-lit sweatbox, innovation functions in a different way to the rest of culture. Yes of course, the thrill of the...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...