Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen J...
Somewhere in Germany, G7 conference leaders including German Chancellor Ortmann (Cate Blanchett) and US President Wolcott (Charles Dance) repair...
The Pirates of Penzance, English National Opera review - fre...
“Comedy is a serious thing,” quoth David Garrick. Gilbert and Sullivan knew it, and so does Mike Leigh, having bequeathed to ENO a clear and...
Hansel and Gretel, Shakespeare's Globe review - too sac...
Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I...
Album: The Unthanks - In Winter
By and large, most Christmas albums seem to fall into one of two camps. There’s either the lively poptastic soundtracks favoured at family or work...
Grand Theft Hamlet review - intriguing documentary about Sha...
On July 4, 2022, one of the most unusual performances in Hamlet’s lengthy and much travelled CV took place: an in-game stream...
Nightbitch review - Mother's life as a dog
Rachel Yoder says she wrote her debut novel Nightbitch as a reaction to Donald Trump’s first term as President, with what she saw as its...
theartsdesk Q&A: filmmaker Payal Kapadia on 'All We...
Payal Kapadia’s lyrical fiction feature debut...
Giltburg, Bournemouth SO, Wigglesworth, Portsmouth Guildhall...
A time must come again when British orchestras return to complete Tchaikovsky ballet scores in concert, as in the BBC glory days of the great...