Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...
It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...
My Favourite Cake review - woman, love, and freedom
The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...
Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...
A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...
The Band Back Together, Arcola Theatre review - three is a d...
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...
Music Reissues Weekly: Sean Buckley & The Breadcrumbs
Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...
The Critic review - beware the acid-tipped pen
The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...
Van Gogh: Poets & Lovers, National Gallery review - pass...
Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...
Kim's Convenience, Riverside Studios review - KC and th...
One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...
