Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Coote, LSO, Tilson Thomas, Barbican review - the triumph of...
Programme notes for Mahler’s monumental symphonies will often...
Conchúr White, St Pancras Old Church review - side-stepping...
If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...
Our Mothers review - revisiting the horrors of Guatemala...
Director Cesar Diaz’s debut feature film was...
Rhod Gilbert, G-Live Guildford review - cancer, constipation...
Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...
Pop Will Eat Itself, Chalk, Brighton review - hip hop rocker...
By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...
Album: Beth Gibbons - Lives Outgrown
It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008. She has lived through so many...
Britten Sinfonia, The Marian Consort, Milton Court review -...
Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...
Music Reissues Weekly: Little Girls - Valley Songs
The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...
Kingdom of the Planet of the Apes review - a post-human para...
Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich,...