Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One). He is a regular obituarist for The Guardian.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
My walk through Hyde Park was an absolute joy. Spring is in the air, the weeping willow is in leaf (pictured below right: photo by S.K),…
Fans of Call the Midwife (which is currently “taking a break” after the conclusion of Series 15) will no doubt recall, with a nostalgic…
My last St John Passion arrived during the Proms in the vast hanger of the Royal Albert Hall, where the impeccable, discreet musicianship…
To watch Martin Hayes play the Irish fiddle is like watching a man possessed by his music. As his bow flickers across the strings the…
The Middle East is on fire – again. So Ryan Craig’s brilliantly provocative play, The Holy Rosenbergs, is more relevant than ever. Near the…
In recent years, noisy Canadian experimentalists, New Age Doom have shown themselves to be unafraid to engage with musical genius from all…
Search “black ballerinas” online and you will be offered shoes, which doesn’t say much for the racial diversity of classical dance in today…
American photographer Catherine Opie took her first self-portrait at the age of nine with a Kodak instamatic she’d been given for her…
Berlin always makes a flavourful setting for labyrinthine stories of betrayal and deception (see Le Carre and Len Deighton for further…