Gary Naylor
Bio

I turned down The Beatles. Well, not exactly, but on seeing Blood Brothers in 1982, I said it would never sell outside Liverpool - too sentimental, thought I.

Obviously, I grew up to be a theatre reviewer, writing here and for BroadwayWorld since 2009. I also write a weekly cricket column for The Guardian and I podcast about old football at Nessun Dorma. 

I'm a member of the Critics' Circle and the Cricket Media Club and I serve on the committee of the Society for Theatre Research in my capacity as Joint Administrator for the Theatre Book of the Year Award. I have a particular interest in initiatives that address Impostor Syndrome's deleterious effect on young people accessing culture. 

If I'm not watching or writing about a play, an opera, a movie, the cricket or the football, I'm probably asleep - but do check my pulse, just to be sure...

articles by Gary Naylor

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One sometimes finds oneself wondering whether Harlan Coben is an author or a set of AI procedures designed to manufacture plots of…
Calcutta plays an important supporting role in Satyajit Ray’s The Big City (Mahanagar), though we only catch glimpses of it until the film’…
Language is a weapon in the RSC’s vigorous adaptation of Cyrano de Bergerac ­– we feel viscerally that wordplay is just one letter away…
VINYL OF THE MONTHEd O’Brien Blue Morpho (Transgressive) Image The last thing…
Terrorists are monsters. Or so we are told – pure evil. Well, it makes a good story. Even if it isn’t completely true. Actually, most…
Judging from her second album, young country singer Willow Avalon has kissed her fair share of frogs. She doesn’t let them off the hook.…