sat 07/06/2025

tv

Orange Is the New Black, Season 5, Netflix review - counterpoint in a three-day prison riot

David Nice

Rippling outward from the initial story of a seemingly nice WASP woman who finds herself having to adapt in a women's prison, Orange Is the New Black quickly developed into the most multilayered, almost indigestibly rich of American TV dramas.

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GLOW, Netflix review - not quite comedy or drama

Jasper Rees

How much plotting went into GLOW? It has been gussied up by the people who brought you the jumbo Netflix hit Orange Is the New Black. Both shows are based on a true story and feature women of all ethnicities bitching and slapping in a contained environment. In Glow there’s less orange, and less black, but even more bitching and slapping.

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In the Dark, BBC One review - missing girls mystery promises hidden depths

Mark Sanderson

Detective Inspector Helen Weeks (MyAnna Buring), having finally cornered a skanky drug-dealer/benefit cheat in a blind alley – and stopped an eager PC from Tasering the woman – is punched in the stomach for her pains. How’s that for a hard-hitting start?

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Grandad, Dementia and Me, BBC One review - no easy solutions to terrifying mental condition

Marina Vaizey

The title gave us the true-life plot: this was a grandson’s filmed narrative of something that will touch us all, through acquaintance, friend, family and perhaps ourselves falling victim to some form of dementia. It's a word that covers a myriad of conditions, all of them affecting the mind.

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Broken, BBC One series finale review - Seán Bean's quiet immensity

Jasper Rees

The Catholic Church hasn’t enjoyed a good press on screen lately. Nuns punished Irishwomen for their pregnancies in Philomena. Priests interfered with altar boys in Spotlight. And in The Young Pope a Vatican fixated on conservatism and casuistry elects a pontiff who sees himself as a rock star.

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50 Shades of Gay, Channel 4 review - no better place in the world to be gay?

Mark Sanderson

It’s half a century since homosexuality was partially decriminalised in England and Wales, so who better to cast his gaze over the lie of the land than stately homo Rupert Everett?

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Melvyn Bragg on TV, BBC Two review – too many talking heads, too little action

Adam Sweeting

Presumably it seemed like a good idea at the time.

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Sudan: The Last of the Rhinos, BBC Two review - requiem for disappearing wildlife

Adam Sweeting

“The northern white rhinos are just a symbol of what we do to the natural world,” as one of the contributors to this haunting documentary put it.

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Who Should We Let In? Ian Hislop on the First Great Immigration Row, review – how history repeats itself

Barney Harsent

Immigration…immigration… immigration… that’s what we need! Not the words of record-breaking, tap-dancing trumpeter Roy Castle, rather it’s the gist of a Times leader from 1853 (admittedly, fairly heavily paraphrased).

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Chance, Universal review – Hugh Laurie is reborn as a film-noir shrink

Adam Sweeting

Hugh Laurie, in his new role of forensic neuropsychiatrist Eldon Chance, tells us that he works with those who are “mutilated by life”, and we soon see that Chance himself falls into that category. He’s in the midst of a divorce, he only sees his daughter Nicole at weekends, and his work seems to fill him with a kind of morbid weariness.

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