sun 08/06/2025

tv

Trust Me, BBC One, series finale review - drama about fake doctor was also pretending

Jasper Rees

Trust Me made an eponymous plea to the audience. Its implausible premise – that a nurse might steal a doctor’s identity and land a job in A&E – called for your credulity.

Read more...

Strike: The Cuckoo's Calling, BBC One review - JK Rowling's debut in crime bows most promisingly

Tom Birchenough

There’s a new ‘tec in town. Cormoran Strike may look like one of life’s losers – he’s on the edge of bankruptcy, sleeps in the office, and what passes for a personal life is a right mess – but in Tom Burke’s portrayal I suspect he’s going to be winning audiences in a big way.

Read more...

Wasting Away, Channel 4 review - we can't fix people while the NHS is broken

Barney Harsent

Journalist Mark Austin is no stranger to conflict, having reported from war-torn landscapes including Rwanda, Iraq and even the ITN newsdesk. However, when the battle lines were drawn closer to home and involved an enemy he couldn’t see, the veteran journalist found himself in unfamiliar territory and without any kind of roadmap. 

Read more...

The State, Channel 4 review - dishonest portrait of British jihadis

Jasper Rees

It’s a burning question of western civilisation: what persuades young people brought up among us to walk out on their lives and join the cult of murderous fanatics who call themselves Islamic State?

Read more...

No More Boys and Girls, BBC Two – baby steps lead to great leaps for children

Barney Harsent

Whether it’s the £400,000 that separates Mishal Husain from John Humphrys, or the 74 million miles between the metaphorical markers of Venus and Mars, there is a gulf between the genders. Despite legislation to enforce equality, the reality is that, right from the start, boys and girls are treated differently. Boys like trains, right?

Read more...

I Know Who You Are, series finale, BBC Four review - gripping, but no one to root for

Jasper Rees

The first thing to say is that this wasn’t the actual end. BBC Four scheduled I Know Who You Are to run two episodes a night over five Saturdays. The innocent punter might have assumed that after 10 x 70 minutes of the Spanish import, we’d arrive at some sort of terminus.

Read more...

Citizen Jane review - portrait of a New York toughie

Markie Robson-Scott

When you’re next strolling through Washington Square Park, or SoHo, or the West Village, you can thank Jane Jacobs that those New York neighbourhoods have survived (though she'd blanch at the price of real estate). Four-lane highways almost dissected and ruined them in the mid-Fifties, but her grass-roots activism saved those higgledy-piggledy streets.

Read more...

Trust Me, BBC One review - Jodie Whittaker's tense medical check-up

Jasper Rees

Even the canniest scheduler at BBC One couldn’t have arranged things so propitiously. Jodie Whittaker was already filming the medical drama Trust Me when she was cast as you know Who.

Read more...

Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

Marina Vaizey

Only man is vile, goes the hymn, and yet humankind has always imagined ideal societies where people care for one another, everyone has access to anything necessary physical and emotional well-being, and all is for the best – without irony – in the best of all possible worlds.

Read more...

Fargo, Series 3 Finale, Channel 4 review - the best drama of the year?

Mark Sanderson

This is a true story. This is a story…” The self-referential nature of Noah Hawley’s baroque narrative arc was one of the great joys of the third season of Fargo. Over the past 10 weeks its constant invention, cinematic tricks and award-worthy performances have come together to produce the best drama of the year (so far).

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Big Star: The Nick Skelton Story review - the ways of a man...

If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors...

Music Reissues Weekly: Gather In The Mushrooms

“Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather In The Mushrooms, compiler, author and Saint Etienne...

Album: Marina - Princess of Power

Marina Diamandis is a proper pop star, brilliantly full-on...

Müller-Schott , RSNO, Søndergård, Usher Hall, Edinburgh - sp...

There was a neat conjunction of commemorations to this concert, the most obvious one being the fact that that 2025 marks the 50th anniversary of...

Hamad Butt: Apprehensions, Whitechapel Gallery review - cool...

Hamad Butt studied at Goldsmiths College at the same time as YBAs (Young British Artists) like Damien Hirst and Gillian Wearing; but whereas they...

Album: Van Morrison - Remembering Now

When Van Morrison last released an album of original songs, during the Covid pandemic, it didn’t go down well. Indeed for many,...

Ballerina review - hollow point

John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen...

Caroline, Islington Assembly Hall review - south London octe...

In 2022 I called caroline “perhaps the best band in the U.K” in my article about their debut, which I named my album of the year....