tv
Chaos in the Cockpit: Flights from Hell, Channel 5 review - do we really want to watch plane-wreck TV?Tuesday, 15 October 2019
Apparently your odds of dying in a plane crash are about one in 11 million, while chances of death in a car accident are about one in 5,000. Therefore flying is theoretically safe, and supposedly getting safer. Read more... |
Studio 17: The Lost Reggae Tapes, BBC Four review - a perfectly paced tale of world-shaking basslines and human frailtySaturday, 12 October 2019
If there was ever a documentary that needed you to have good speakers on your TV setup – or good headphones if you're watching on computer or tablet – this is it. Read more... |
The Capture, BBC One, series finale review - nimble drama alive with twistsWednesday, 09 October 2019
What did we learn at the end of The Capture (BBC One)? A rice jar is a good place to hide USB sticks. It’s possible to withhold the opening credits for 11 whole minutes. A green coat works exceptionally well with light blue eyes and shoulder-length auburn hair. Read more... |
Doing Drugs for Fun, Channel 5 review - why the cocaine trade is no laughing matterWednesday, 09 October 2019
Monday night’s first episode of this three-part series was a bit ordinary, as it introduced its cast of British recreational cocaine users and explained why their habit may be ill-advised. Read more... |
The Great British Bake Off, Episode 7, Channel 4 review - bakers hampered by pointless celebritiesWednesday, 09 October 2019
What’s extraordinary about Bake Off is not just the staggering complexity of the cooking challenges, but the amount of technical shenanigans that go into turning it into a finished programme (actually, spoiler-averse Channel 4 had teasingly left the ending off my preview version of this week’s show, but... Read more... |
Catherine the Great, Sky Atlantic review - a glorious role for Helen Mirren only gets betterFriday, 04 October 2019
“I want something Russian…” It’s with such a cry that Helen Mirren, bored by the bizarrely transgressive masked ball that comes at the close of the first episode of Catherine the Great, gets the dancing going: nothing from the imported fashions of Europe will do for her, and the music duly strikes up, a soupily romantic melody on violin, the quintessence, you might think, of mythic "Russianness”. Read more... |
The Capture, Episode 5, BBC One review - the man who knew too muchWednesday, 02 October 2019
Five episodes ago, BBC One's The Capture set off at a cracking pace with the apparent abduction and murder of barrister Hannah Roberts by army lance-corporal Shaun Emery. Read more... |
Snackmasters, Channel 4 review - superchefs take the clone-a-KitKat challengeWednesday, 02 October 2019
The themes of food and cookery have already been boiled until the bottom of the saucepan melted, but TV commissioning editors can’t stop searching for new twists in the formula. Read more... |
World on Fire, BBC One review - more melodrama than dramaMonday, 30 September 2019
For his new drama series for BBC One, writer Peter Bowker (The A Word, Monroe etc) has taken as his canvas no less than a panorama of Europe in 1939, just as World War Two is breaking out. Read more... |
My Life is Murder, Alibi review - whimsical tales of detection from Down UnderWednesday, 25 September 2019
Lucy Lawless achieved cult status in the Nineties fantasy classic Xena: Warrior Princess, and later became a regular in such disparate creations as Battlestar Galactica and Parks and Recreation. In My Life is Murder, she joins the ever-expanding ranks of TV ‘tecs as Melbourne-based investigator Alexa Crowe. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Magic Farm review - numpties from the Nineties
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The Great Escape Festival 2025, Brighton review - a dip into...
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...
Good One review - a life lesson in the wild with her dad and...
Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...
E.1027 - Eileen Gray and the House by the Sea review - dull...
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...
Album: Rico Nasty - LETHAL
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The Marching Band review - what's the French for '...
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Lucy Farrell, Catherine MacLellan, The Green Note review - s...
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...