fri 11/10/2024

tv

Misfits, E4

Gerard Gilbert

Filmed in the same Thamesmead locations in south-east London as Stanley Kubrick’s A Clockwork Orange, Misfits also features a gang of young trouble-makers in boiler suits. Unlike Alex and his Droogs, who face the fearsome "Ludovico" aversion therapy (after which thinking about violence, or hearing Beethoven’s Ninth Symphony, triggers nausea), this bunch are on a fairly slack community service gig.

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Andrew Marr's The Making of Modern Britain, BBC Two

Gerard Gilbert

The last time I saw Andrew Marr in the flesh was at the Independent’s old offices in Canary Wharf, during a savage round of job-shedding in the late Nineties. To address the staff, editor Marr had jumped upon a table, like Keir Hardie addressing striking miners, and his old-school style of speech-making is perfectly in tune with the politics of the first half of the 20th century. Marr, in truth, wasn’t a very natural newspaper editor - he is a much better working journalist.

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Collision, ITV1/The Execution of Gary Glitter, Channel 4

Adam Sweeting DI Tolin (Douglas Henshall) tries to untangle the wreckage in Collision

The premise of Collision (as well as its title) is unmistakably similar to that of Paul Haggis's movie Crash, in which a road accident provides the linking point for a cluster of disparate personal stories. However, instead of the boulevards of Los...

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Comedy Showcase: Campus, Channel 4

Gerard Gilbert

Green Wing, but set in a university” is one of those useful handles that reviewers were always going to grasp when discussing Victoria Pile’s new improvised ensemble comedy, Campus, the opening try-out in Channel 4’s new Comedy Showcase season of sitcom pilots. For once, the handy nut-shell description is spot on. Campus is precisely that: Green Wing, but set in a university – and as a fan of Green Wing I should feel that that is good...

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Spooks, BBC One

Adam Sweeting

At the end of series seven, our tight-lipped MI5 squad risked designer shoe leather and impeccable coiffure to defuse a Russian atom bomb in London, and their boss Harry Pearce (Peter Firth) was kidnapped by dubious Russian agent Viktor Sarkisian. Hence series eight began with the hunt for Harry, whisked (unbeknown to his underlings, who expressed their concern by smiling even less than usual) by helicopter to a mansion in “Moscow on Thames”.

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Garrow's Law, BBC One / Fleetwood Mac - Don't Stop, BBC One

Adam Sweeting

In Garrow's Law: Tales from the Old Bailey, writer Tony Marchant has turned to the real-life archives of the Old Bailey to find cases to illustrate the pioneering legal work of William Garrow. In the late 18th century, courtroom trials bore more resemblance to bear-baiting or witch-finding than to anything connected with justice or due process.

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The World's Greatest Money-Maker: Evan Davis Meets Warren Buffett, BBC Two

Adam Sweeting

If you’d invested a thousand dollars with Warren Buffett in 1965, your stake would have grown to more than than five million bucks today. If the UK had followed one of Buffett’s golden rules of investment – Don’t Get Into Debt – our clapped-out rust-bucket of a nation might now feel like a very different place. Buffett's take on debt is that "if you're smart you don't need it, and if you're dumb you've got no business using it," which Gordon Brown should have etched on the inside of his...

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The Thick of It, BBC Two

Jasper Rees

To think the unthinkable, are we now getting towards the thin end of The Thick of It? The show remains unchallenged as the most bilious, urgent comedy on television. No argument there. It coruscates, it eviscerates – even a thin Thick of It does all those aggressive things to the body politic that satire should. But is there now the merest hint, just the faintest smidgin, of weariness, of heaving itself once more into the ring to land a few more blows on the clapped-out mob...

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Krautrock: The Rebirth of Germany, BBC Four

Adam Sweeting

It's over-egging it a bit to equate Krautrock with the entire rebirth of Germany. It's also slightly jarring to entitle the film Krautrock when its narrator then blames the World War Two-obsessed British music press for inventing such a disparaging term (cue supplementary evidence of Spike Milligan and John Cleese pretending to be Nazis.)

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Modern Family, Sky1 / Question Time, BBC One

Adam Sweeting

American critics have been fanfaring Modern Family as something of a sitcom revolution for its wit, intelligence and the cast's all-round expertise. It might take longer to grow a British fanbase, because you need a few spins around the circuit before its contours start to feel familiar, but then suddenly the lights go on and revelation ensues.

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