thu 03/07/2025

tv

EastEnders live, BBC One

Veronica Lee

It was Stacey whodunnit. EastEnders’ first live broadcast last night, to celebrate 25 years on BBC One, ended with Stacey Branning (Lacey Turner) declaring, “It was me. I did it. I killed Archie. It was me.” So now we know, as one of the most drawn-out storylines in the history of soaps finally reached its conclusion (Archie Mitchell was killed at Christmas).

Read more...

The Great Offices of State, BBC Two

Gerard Gilbert The Great Offices of State: Michael Cockerell visits the Foreign Office

That title has been troubling me. The Great Offices of State is so stolid and dull, like an illustrated Ladybird children’s book from the 1950s - The Flags of the Commonwealth, or some such. And then you start trying to think of alternatives, a play on Yes, Minister perhaps, and you soon see that this flippancy wouldn't do justice to what is in fact a masterful achievement - the sort of television series that will (or should) be shown in schools and universities for...

Read more...

Skippy: Australia's First Superstar, BBC Four

Adam Sweeting

Though children’s TV series Skippy The Bush Kangaroo was only in production from 1966 to 1968, it continues to resonate deafeningly with Australians, who are still apt to break into the theme tune or start doing kangaroo-hops round their living rooms. In fact it isn’t just Australians, since its 91 episodes  were shown in 128 countries and dubbed into numerous exotic languages.

Read more...

Storyville: The Most Dangerous Man in America, BBC Four

Adam Sweeting

On Daniel Ellsberg's first day in his new job at the Pentagon in 1964, working under Secretary of Defence Robert McNamara, the Gulf of Tonkin incident occurred.

Read more...

Off Kilter, BBC Two

graeme Thomson

Fife, like Scotland itself, is a mass of contradictions compressed into a relatively small space: beautiful beaches lie in the shadow of lowering tower blocks; the pink, plump prosperity of St Andrews rubs against the scar tissue of former mining towns like Methil; tourism nestles uncomfortably close to despair.

Read more...

Generation Jihad, BBC Two

Jasper Rees

For a number of years I used to live opposite Abu Hamza. You didn’t see him much. I remember a Mercedes spilling devoutly robed football fans who had come to watch the game round his place when Iran played the USA in the 1998 World Cup. After 9/11, the street would occasionally fill with swooping fleets of police vehicles. Once they decanted a squad of space-suited forensics looking, presumably, for incendiary devices.

Read more...

Empire of the Seas, BBC Two

Adam Sweeting

Dan Snow’s four-part history of the Royal Navy has been in many ways a marvellous thing, and a timely reminder of one of the central planks of our island story. At a moment when various brass hats are openly discussing the possibility of one of the UK’s armed services being dispensed with (and it won’t be the Army), Snow’s efforts may yet take on a greater significance than he imagined.

Read more...

Tower Block of Commons, Channel 4

Jasper Rees

What do our elected representatives in Westminster know? Apart from, clearly, how to fill in an expenses claim form. You can file all the usual complaints about Tower Block of Commons, a series in which MPs take up residence in sink estates. It uses the tired old Wife Swap format of sadistically throwing its subjects in at the deep end to watch them sink or swim. The editing is visibly manipulative.

Read more...

Mo, Channel 4

Adam Sweeting

It was a bit like the Ghost of Labour Past at Channel 4’s screening of this biopic of Mo Mowlam at BAFTA a couple of weeks ago. A cohort of party veterans turned out, including Charles Clarke, Neil Kinnock and Adam Ingram (a close ally of Mowlam’s and played by Gary Lewis in the film). There was even a brief introductory talk by "Batty" Hattie Harman, recalling how she first met Mowlam at Westminster. What a thrill that must have been for Mo.

Read more...

The Virtual Revolution, BBC Two

Gerard Gilbert The Virtual Revolution: Dr Aleks Krotoski provides a lucid and thought-provoking overview of the internet

If I wanted to be solipsistic about this, I could say that the opening episode of The Virtual Revolution, the new BBC Two series about the changes wrought by the internet, is also the story of theartsdesk.com. It certainly felt personal at times. But then we print journalists, now launched together into cyberspace, are but one (very important, naturally) sub-atomic particle of what is variously described here as "the fastest change since the Industrial Revolution" and...

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...