tue 21/10/2025

tv

Who Needs Fathers?, BBC Two

Gerard Gilbert

Take two sets of separated parents and observe their opposing response to sharing the children. Colin and Alison haven’t involved lawyers, and divide childcare equally and amicably. Sandy, on the other hand, has spent tens of thousands of pounds on legal fees in order secure access to his four children with Rose, a woman who was so inured to being dragged through the family courts by her ex-husband that not until fairly late on in the quietly excellent Who Needs Fathers? did she...

Read more...

Paul Merton's Weird and Wonderful World of Early Cinema, BBC Four

Jasper Rees

The first cinema was two-thirds empty. A hundred seats had been laid out by the Lumière brothers in a Parisian salon, but only 33 of them were occupied. The small audience saw a film in which a crowd, mostly women in long dresses but also a large bounding dog, pour through a tall gate. None of them looks at the camera, as we would now. In 1895, stardom was not yet associated with film. The dog, as dogs will, gave much the most attention-seeking performance.

Read more...

Over the Rainbow, BBC One

graeme Thomson

Read more...

Girls on the Frontline, BBC Three/ News at Ten, BBC One

Jasper Rees

Let’s be honest, you never expect much sense from BBC Three. You don’t count on it for, say, depth of perspective. The channel which each week spews fresh torrents of hectic DayGlo entertainment in the specific direction of a desensitised demographic tends to steer clear of the big subjects. War and such. Girls on the Frontline, therefore, did not inspire much hope. That title. On any other BBC channel, it would have been women, not girls.

Read more...

Fat Man in a White Hat, BBC Four

Gerard Gilbert Fat Man in a White Hat: Bill Buford poses with Bob the baker.

Sophie Dahl made her debut as a TV chef last night in The Delicious Miss Dahl (try and imagine Leslie Phillips saying that), a BBC Two confection even more absurdly artificial than the various Nigella Lawson food-porn shows. At least you believe Nigella can and does make food and eat it - with Dahl (despite two cookbooks to her name) it just came across like another modelling job. And while the saucer-eyed beauty may be easier on the eye than Bill Buford, there was only one destination...

Read more...

Seven Ages of Britain, BBC One

Jasper Rees Gilbert and George and Dimbers go through the motions in Seven Ages of Britain

Seven Ages of Britain began in the same week as A History of the World in 100 Objects on Radio 4. You wait a prodigiously long time for a massive cultural overview and then two come along at once. Do they think in a joined-up way about these things at the BBC? Or has this double helping been a sign of a wider moral and structural chaos that characterises the new world disorder? Last night David Dimbleby concluded his tour of two millennia of British art. It has,...

Read more...

The Culture Show: Henry Moore, BBC Two

Josh Spero Henry Moore, Reclining Figure (1951)

What emerges from tonight’s Culture Show on Henry Moore, which examines how the sculptor exploited the media (and vice versa), is not the difference between the media of sculpture and television but the similarity.

Read more...

The Berlusconi Show, BBC Two

Gerard Gilbert

Imagine if Rory Bremner had been banned from British television for the past 20 years, and Gordon Brown had put pressure on the BBC to get rid of Question Time because it had been critical of him. In the Italy of Silvio Berlusconi these things happen.

Read more...

Glee, E4

Adam Sweeting

Rarely has a TV series been so easy to like and so tricky to define.  If you shoved High School Musical, American Idol and The Breakfast Club in a blender, you'd be in the right ballpark, though you still wouldn't quite have captured Glee's unique tone of sweetness, campness, tragic teenage confusion and satire.

Read more...

Requiem for Detroit?, BBC Two

Adam Sweeting

The only time I've ever been to Detroit was in 2004, in pursuit of assorted rock stars on the Vote for Change tour. Reader, it was weird. The atmosphere in the deserted streets was deathly, as if an invading army had swarmed into town, committed hideous atrocities and then moved on.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...