mon 19/05/2025

tv

Alcatraz, Watch

Kieron Tyler

Contrary to what he said in 1963, US Attorney General Robert Kennedy did not close Alcatraz Federal Penitentiary. Although the last inmate appeared to leave the San Francisco Bay island fortress in leg-irons on 21 March 1963, the prisoners and guards had vanished into thin air, leaving it the Marie Celeste of prisons. The cover-up worked. But now, one-by-one, without having aged, the prisoners are back, blazing a trial of murderous mayhem across modern-day San Francisco.

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Scott & Bailey, Series 2, ITV1

Veronica Lee

There are any number of television detective shows and to differentiate themselves they all need a USP. The excellent Sherlock is a very knowing modern reworking of the original, Life on Mars was set in a time warp, Dirk Gently uses weird global interconnectivity and Whitechapel's coppers solve crimes by referencing Victorian cases. So a cop show that has none of the bells and whistles of the above is somewhat unique.

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My Phone Sex Secrets, Channel 4

Jasper Rees

In the right hands, the English language can work itself up into an intensely erotic lather. It can seduce and caress, tease and undress. It can perform tantric wonders, all through the power of the word. In the right hands. “You ain’t got yer knob out already?” said Jenny, on the blower to a gentleman while redecorating her kitchen. “Listen to how wet I am.” And she dipped her brush in a sloppy tub of Dulux.

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White Heat, BBC Two

Emma Dibdin

Everything that’s best about the opening episode of Paula Milne’s White Heat, a decade-straddling saga of seven friends who begin as flatmates in 1960s London, is encapsulated in its Hartley-quoting title, The Past Is a Foreign Country.

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The Sarah Millican Television Programme, BBC Two

Veronica Lee

There comes a point in every successful stand-up's career when television executives start calling. First it's appearances on panel and quiz shows, then a solo programme that showcases their live talents - but what then? Not everyone is a Graham Norton or a Dara Ó Bríain - both instant hits in whatever format TV can throw at them - so producers keep trying to invent a twist on well-tried formats when they shepherd a new star into the spotlight.

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She Wolves: England's Early Queens, BBC Four

Kieron Tyler

“Throughout our history, women and power have made an uneasy combination." Dr Helen Castor made it clear the path to power depended on more than the right alliances, lineage, and marriage partner. Even if all those were spot on, being female was enough to halt any rise. The series began with the medieval Queens Matilda and her daughter-in-law Eleanor of Aquitaine. Both wanted to rule, not reign like Queen Elizabeth II.

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Revealed: The Nazi Titanic, Channel 5

Adam Sweeting

With the smoke from Julian Fellowes' upcoming Titanic mini-series for ITV becoming visible over the horizon, Channel 5 nipped in with this startling new spin on the tale of the doomed liner. It's not widely known that when the Nazis were riding high in the early part of World War Two, they hit upon a plan to turn the Titanic story into a blockbuster propaganda film, designed to throw contempt and ridicule over Britain's ruling elite.

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Dirk Gently, BBC Four

Josh Spero

The great problem for holistic detective Dirk Gently is that he lives in a post-Moffat/Gattis-Sherlock era. How can any private investigator shine after the wit, intrigue, technology and bromance of that show? It helps that Gently, created by Douglas Adams, is a largely different beast: a picker-up of random threads, a believer that logic will never take you as far as chance. But he stands small in Sherlock's shadow.

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War Horse: The Real Story, Channel Four

ASH Smyth

If you had felt so inclined, you could have watched three straight hours of War Horsiness last night. Now, I’ve seen the play of Michael Morpurgo’s novel and figured I got the mechanics of its impressive stage-craft (Sky Arts 1, 7pm). And, having seen it, I had absolutely no intention of watching Steven Spielberg gloss the already highly questionable boy-goes-to-war-on-account-of-a-horse message for the big screen (ditto, 6pm).

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The Joy of Disco, BBC Four/ The Ronnie Wood Show, Sky Arts 1

Adam Sweeting

The final section of The Joy of Disco illustrated how disco music grew into a vast global phenomenon. It had been brought to the popular mainstream by the success of Saturday Night Fever, was enjoyed by grannies at Pontins, and even prompted 70-something showbiz veteran Ethel Merman to make a disco album.

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