tv
Death in Paradise, Series Finale, BBC OneWednesday, 27 February 2013
So, Death in Paradise has harrumphed its way to another series finale. DI Richard Poole (Ben Miller) was in a grumpier mood than usual by its closing episode, contending with Fidel’s distraction as he waits results of his Sergeant’s exam, and Dwayne, as ever, diverted by the laydeez. Read more...
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Dancing on the Edge, Series Finale, BBC TwoTuesday, 26 February 2013
Stephen Poliakoff's slow-burning drama had turned into a propulsive whodunnit by this final episode, hurtling towards a resolution with panache and surprise. The five-part mini-series about a black jazz band in early 1930s high society has had the feel of an exploratory score at times. With syncopated beats and riffs decorating its unfolding narrative, the occasional scene and detail has seemed superfluous. But Poliakoff has had his reasons. Read more... |
Black Mirror: The Waldo Moment, Channel 4Tuesday, 26 February 2013
After the nightmarish vision of justice system turned spectator sport that was last week’s Black Mirror, you’d be forgiven for feeling a little disappointed that writer Charlie Brooker hadn’t ramped up the horror at the start of the final episode of this all-too-short second series. Read more... |
Ripper Street, Series Finale, BBC OneMonday, 25 February 2013
Last week we left Homer Jackson, the raffish ex-Pinkerton detective with the exceedingly chequered past, languishing in jail, after being fitted up for a Ripper-style killing by the murderous Frank Goodnight (played by cultish US actor Edoardo Ballerini). For this week's finale, Matthew Macfadyen's DI Reid urgently needed to get Jackson out again in order to apply his advanced forensic skills to unravelling a white slaving racket. Read more... |
Walking Wounded: Return to the Frontline, Channel 4Thursday, 21 February 2013
The public rarely sees the human cost of journalists covering war. More rarely still does it see the real civilian cost. That makes Walking Wounded a frank and refreshing insight into the world at either end of the lens. Read more... |
Storyville: Google and the World Brain/How Hackers Changed the World, BBC FourThursday, 21 February 2013
At what stage will the trend among journalists and documentarians to regard anything relating to the internet with suspicion or, worse, ignorance come to an end? Although I recognise that my relationship with information technology has never been exactly typical, this stuff has been easy enough to access for more than half of my life now. And I’m not exactly young. Read more... |
Utopia, Series Finale, Channel 4Wednesday, 20 February 2013
"New Sars-like virus claims first Briton" according to a headline in yesterday's Times, news which will have sent spasms of alarm through Utopia-watchers. A couple of episodes ago we heard how the original Sars outbreak had been a fictional creation, and this series-closer began with overheard news reports of another attack of Russian flu in Britain, which was provoking "scenes of disorder". Read more... |
Alex Polizzi - The Fixer, BBC TwoWednesday, 20 February 2013
The arts are in a bit of a state just now. Okay, we all knew that. The money that was there in the past - and where it was coming from - just isn’t the same any more. Finding a new way of doing things is the buzz. Looking outside the box. Read more... |
Her Majesty's Prison: Aylesbury, ITVTuesday, 19 February 2013
Television is a regular prison visitor. You can’t keep Louis Theroux out of the grimmest Stateside penitentiaries, the drama departments drop in now and then for a stretch inside – most recently in Prisoner’s Wives. And then there’s ITV. A couple of years ago it reported from Wormwood Scrubs to find out how the prison system was coping in Brown’s Britain. It wasn’t the prettiest sight. Read more... |
Complicit, Channel 4Monday, 18 February 2013
It was the moment when we learned that Sergeant Nick Brody really had been converted into an Islamist agent that the spring went out of Homeland's step. Complicit doesn't make the same mistake. Skilfully spun out over its movie-length span, it's a probing examination of the ambiguities and uncertainties that bedevil intelligence work. It won't make you sleep any easier at night. Read more... |
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