tv
Jonathan Creek: The Clue of the Savant's Thumb, BBC OneTuesday, 02 April 2013
Three years after Jonathan Creek's last one-off special, tellies across the land resounded once again to the strains of Saint-Saëns's Danse Macabre, a theme tune cunningly chosen to reflect the show's mix of menace, wit and whimsy. Read more...
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Game of Thrones, Series 3, Sky AtlanticTuesday, 02 April 2013
We hear ghastly, otherworldly shrieks and human screams over a black screen, which then fades to white and the sight of a man running for this life through a snowy wilderness. As he approaches a seated figure, he cries out, “friend”, only to find the poor chap holding his own head in his lap. Read more... |
The Village, BBC OneMonday, 01 April 2013
Peter Moffat's latest project is a long-form drama reminiscent of Heimat (the Edgar Reitz project that told a German family's story through the 20th century) in which he charts 100 years of life in a Derbyshire village up to the present day. The first series started last night and its six episodes cover 1914-1920; the following series haven't yet been commissioned, but on the evidence of the opening chapter Moffat must be hopeful. Read more... |
Doctor Who: The Bells of St John, BBC OneSunday, 31 March 2013
Ever since Steven Moffat made the transition from fan favourite writer to showrunner, certain storytelling tricks in Doctor Who have become increasingly frequent. I can’t have been the only one who groaned at the short prequel to The Bells of St John, the first of eight new episodes to air before the summer, when it appeared online last week. Read more... |
Nile Rodgers: The Hitmaker, BBC FourSaturday, 30 March 2013
It was one of those entirely unverifiable "facts" that music documentaries increasingly prefer over genuine insight: early on in this serviceable but routine overview of a truly stellar talent, we were told that Nile Rodgers’s guitar has “played on two billion dollars' worth of hits”. Who really knows? Who actually cares? You don’t measure the sheer joy of Chic’s “Good Times” or Sister Sledge’s “We Are Family” by counting the cash or doing the math. You simply use your ears. Read more... |
Are You Having a Laugh?, BBC OneThursday, 28 March 2013
How do we know Jesus Christ was a Jew? He was still living with his mum at 33 and she thought he was God Almighty. Are you offended? I sincerely hope not and profuse apologies if you are, but that was the first religious joke I remember from my Catholic childhood, and which managed to take a swipe at two religions for the price of one. Read more... |
New Girl, Series 2/The Mindy Project, E4Wednesday, 27 March 2013
As the second series of Zooey Deschanel-starring US sitcom New Girl gets underway on E4, it’s an interesting exercise to revisit first impressions. I note that when the pilot originally aired, theartsdesk was not as harsh as I was on a show which, over the course of its first year, quickly became one of my favourites. Read more... |
Wodehouse in Exile, BBC FourTuesday, 26 March 2013
One of the weapons deployed by Blighty in World War Two was humour. Stoical, deflating, relentlessly making light of the darkness, British wit refused to take the Third Reich as seriously as it took itself. The biggest cannon in our arsenal of laughter was PG Wodehouse, or it would have been if the creator of Jeeves and Wooster and, most pertinently, the pompous black shirt Roderick Spode hadn’t accidentally found himself on the other side, and apparently batting for them too. Read more... |
Foyle's War, Series 8, ITVMonday, 25 March 2013
Always a treat to see the shrewd, penetrating gaze of DCS Christopher Foyle back for one of its all-too-brief runs, though no doubt rationing Foyle's War to short series at long intervals is what has enabled writer/creator Anthony Horowitz to sustain it for so long. The three episodes in the new Series 8 find Foyle back in Britain, following a trip to the USA to "tie up some loose ends" from a previous case. Read more... |
Boss, More4Friday, 22 March 2013
How can you not love a show that opens with Robert Plant singing "Satan, your kingdom must come down" on the soundtrack? The song is aptly chosen, since Boss is the story of Chicago mayor Tom Kane, a bully, a tyrant and a master of the black arts of political fixing and gloves-off deal-making. But his days are numbered. Read more... |
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