fri 26/09/2025

tv

Glasgow Girls, BBC Three

Lisa-Marie Ferla

A few months ago, Glasgow Girls - Cora Bissett and David Greig’s 2013 musical based on the true story of seven teenage girls from Drumchapel, Glasgow and their campaign to end the forced removal of school-age asylum seekers - returned to the city’s Citizens Theatre for another sell-out run.

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Coast, Series 9, BBC Two

Jasper Rees

If you like middle-market tabloids, you’ll be into Coast. Like a reliable tide, the show about the sea has been washing up on BBC Two’s shores since 2005. A factual series defined by the ocean main which surrounds the British Isles, it comes with a stock of stories that, unlike the mackerel population, seem in no danger of running out.

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Utopia, Series 2, Channel 4

Adam Sweeting

When the first, and shattering, series of Utopia ended 18 months ago there were alarming suggestions that its ratings weren't good enough to justify a second, even though there was plenty of potential for one. On the other hand if there were to be a series two, could it ever be good enough?

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Britain's Most Dangerous Songs: Listen to the Banned, BBC Four

Adam Sweeting

The most notorious case of the BBC banning a pop record was the episode of the Sex Pistols' "God Save the Queen" in 1977, which was of course the year of Her Maj's Silver Jubilee. "That was genuinely dangerous," Paul Morley intoned gravely (the record that is, rather than its banning), though as with several of the cases examined here, this one wasn't quite as open and shut as it seemed.

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The Lance Armstrong Story - Stop at Nothing, BBC Four / The Nation's Favourite Motown Song, ITV

Adam Sweeting

The fall of super-cyclist Lance Armstrong is a subject fit for Euripides or Shakespeare. It has also worked pretty well for director Alex Holmes, who managed to round up virtually all the key players caught in Armstrong's vortex of deceit for this unflaggingly gripping documentary [****].

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Common, BBC One

Matthew Wright

Common, Jimmy McGovern’s new BBC One drama about the effects of the joint enterprise law, seems at first sight to lack the topical horsepower of projects like Hillsborough.

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The Honourable Woman, BBC Two

Adam Sweeting

Janet McTeer has admitted that she had to read Hugo Blick's screenplay for The Honourable Woman three times before she could understand what was going on. Therefore anybody hoping to drop into this as a casual viewer can expect to find the learning curve slippery and featuring a pronounced adverse camber.

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Rebels of Oz: Germaine, Clive, Barry and Bob, BBC Four

Fisun Güner

They came, they saw, they conquered. It was the Sixties and London swung, while the suburbs of Melbourne and Sydney dozed in a beery torpor. Clive James recalls the fizz of beer pumps as the dreary soundtrack of Aus, while Germaine Greer just wanted to escape to “a place of beauty”. She believed, she said, in the “great Australian ugliness”. No one mentioned the cultural cringe, at least not in the first part of Howard Jacobson’s two-part homage to his four brilliant Australians.

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The Culture Show: Girls Will Be Girls, BBC Two

Lisa-Marie Ferla

In 40 years’ time, when some suit at the BBC is searching the archives for some suitable footage to illustrate women in music in the early 21st century, will he pull out an image of Miley Cyrus or Rihanna wrapped in fishnets and bondage tape?

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Arena: The 50 Year Argument, BBC Four

Fisun Güner

Well, I’ll be damned if subscriptions don’t shoot up this summer. This lovingly made paean to the New York Review of Books, directed by Martin Scorsese and his long-time documentary collaborator David Tedeschi, was better than any advert, though I’d hesitate – but only briefly – to say that it was one long advert.

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