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The Living and the Dead, BBC One

Adam Sweeting Wednesday, 29 June 2016

This new series by Ashley Pharoah is dramatically different from his previous efforts in Ashes to Ashes and Life on Mars, though he still likes travelling though time. His method here was to saw off chunks of Far From the Madding Crowd, stir in some shavings from Henry James's The Turn of the Screw, and then, having donned protective clothing, to squirt in a distillation of The Exorcist.

EU Referendum Results – BBC, ITV, Sky News

Barney Harsent Friday, 24 June 2016

And so we come to the end of the most spiteful, divisive and downright deceitful political campaign in living memory. And while we’re on the Ds, I’ll have disingenuous too, thanks. The remain camp was captained by a mildly Eurosceptic prime minister, who called the referendum in an attempt to secure an election victory, while Brexit has been spearheaded by a shambolic, and mildly Europhile, thatched homunculus, who simply wants the other guy’s job.

The Good Wife, Series 7 Finale, More4

Adam Sweeting Friday, 24 June 2016

It's amazing that they've managed to sustain The Good Wife over seven series and 156 episodes which have, by and large, maintained a standard of writing and acting which can stand toe to toe with anything else on TV. Apparently it's now being dubbed "television's last great drama" in some quarters, not just because of its quality but also because it aired not on some boutique cable channel or on-demand subscription service but on the mainstream CBS network.

The South Bank Show: Joyce DiDonato, Sky Arts

Marina Vaizey Thursday, 23 June 2016

Take Rossini, Bellini and Donizetti, and add Handel and Mozart and the Frenchman Massenet, and you have the composers whose operas the Kansas-born mezzo-soprano Joyce DiDonato has made her own. She's one of the few who has become a classic opera diva while remaining true to her roots (she was born in Prairie Village, Kansas, and one of her all-time favourite songs is "Over the Rainbow": remember Dorothy was a Kansas girl too.)

The Border, Channel 4

Adam Sweeting Wednesday, 22 June 2016

Have psychologists analysed whether subtitles increase our enjoyment of TV drama, perhaps lending it an extra tincture of the exotic? They do no harm at all to this new Polish drama about border guards protecting the frontier between Poland and Ukraine. In Referendum week, it's a hot topic (these Polish guards, with an Alsatian tracker dog called Osama, don't favour a Merkel-esque open-door policy to refugees trying to slip through the forest).

The Disappearance, BBC Four

Jasper Rees Sunday, 19 June 2016

The Disappearance, shown in France a year ago, was adapted from a Spanish drama. Both shows had a more gender-specific title: Desaparecida or Disparue.

Comment

Eurotrash, Channel 4

Jasper Rees Saturday, 18 June 2016

It was an exhumation waiting to happen. As the UK ponders trashing Europe, Eurotrash was summoned from the grave to remind voters what they’ll be missing if enough Brits put an X in the exit box. The Europe of Eurotrash is not grey suits and fisheries legislation.

Marx: Genius of the Modern World, BBC Four

Marina Vaizey Friday, 17 June 2016

An old subversive Soviet joke has Karl Marx coming back from hell, facing enormous crowds of very unhappy people and telling them, "Oh I'm so sorry – it was only an idea." But what an idea and ideas, as Bettany Hughes's film reminded us.

Guitar Star, Sky Arts / Outcast, Fox

Adam Sweeting Wednesday, 15 June 2016

The guitar, the "little orchestra" beloved of Andrés Segovia, is an instrument for all seasons, and for venues from salons to stadiums. It isn't exactly the same instrument in all cases, of course. Comparing the traditional acoustic Spanish guitar to the electronic weapons systems used by Radiohead or U2 is like parking an Austin 7 next to a Tesla Model X.

Comment

New Blood, BBC One

Jasper Rees Friday, 10 June 2016

New Blood began as it didn’t quite mean to go on. Somewhere in India five Brits on their travels mustered in a medical laboratory as volunteers to test-run a new drug. The tone was pregnant with portent, so it was no surprise when a knife was wielded and blood spattered. You settled in for a moody medical noir.