tv
theartsdesk Q&A: Writer Bernard CornwellWednesday, 21 October 2015
Bernard Cornwell's best-selling Sharpe series, set during the Napoleonic wars, transferred to television with huge success. This week, it’s the turn of his Saxon Stories to make the jump, as the BBC airs its lavish, eight-part drama The Last Kingdom, based on Cornwell's novels. Read more... |
10 Questions for Broadcaster Bettany HughesSunday, 26 July 2015
How do you live a good life? Is wealth a good thing? How do you create a just society? The United Kingdom's electorate recently pondered such questions in the polling booth, and made their decision. The Labour Party is agonising over them as it chooses its next leader. And yet while these anxieties may feel very now, they have deep roots. Read more... |
theartsdesk Q&A: Spooks, the movieWednesday, 06 May 2015
During its 10-season run on BBC One between May 2002 and October 2011, Spooks built a lasting reputation as a superior espionage thriller, charting the battle of a squad of MI5 agents to protect the realm against its fiendish and unscrupulous adversaries. Read more... |
'Most of the time I play complete losers'Tuesday, 10 March 2015
The world now knows him as Lord Crawley, stiff-backed in white tie and tails, regimental garb or, for relaxation, tweed. But before he became the face of Downton Abbey – and of bumbling institutional incompetence in Twenty Twelve and W1A – Hugh Bonneville could be seen in roles of considerable depth and range, including a moving Philip Larkin and a brutish husband in the BBC's Daniel Deronda. Read more... |
theartsdesk Q&A: Actress MyAnna BuringMonday, 02 March 2015
There came a moment, around three years ago, when MyAnna Buring suddenly seemed to be in everything. "I'm so sorry!" she shrieks (ironically) when I point this out to her. She had given warning of her arrival by appearing in Ben Wheatley's Kill List and, rather more prominently, as Tanya (who as you'll know was a vegetarian vampire from the Denali coven) in the concluding pair of Twilight films. Read more... |
theartsdesk Q&A: Actress Sofie GråbølSaturday, 06 September 2014
Sofie Gråbøl as Danish royalty: it hardly stretches credulity. The face of Nordic noir has been a star in her home country ever since appearing in Bille August's Pelle the Conqueror in 1987, but is solely familiar on these shores as Sarah Lund, the jumpered Copenhagen detective from three unmissable series of The Killing. Read more... |
theartsdesk Q&A: Writer Jimmy McGovernSaturday, 05 July 2014
The black stuff. The phrase was patented in the early 1980s by Alan Bleasdale, Liverpool's other small-screen big hitter. But it could just as well describe the drama that issues from McGovern's imagination, with its dark understanding of the Manichean psyche, its intimacy with the curlicues of Catholic guilt, its knowledge that animal instincts pulse insistently beneath the epidermis we call civility. Read more... |
10 Questions for Harry ShearerSunday, 26 January 2014
It is the fate of political leaders to be played by actors. In the circumstances Richard Nixon hasn’t been dealt a bad hand. He has been portrayed by Anthony Hopkins in Oliver Stone’s Nixon, by Frank Langella in Frost/Nixon on stage and screen and by tall handsome Christopher Shyer in Clint Eastwood’s J Edgar. But towering over them all is Harry Shearer, who has been impersonating Tricky Dicky since Nixon was actually president. Read more... |
Tidy: Ruth Jones gets gongedWednesday, 01 January 2014
The late rise of Ruth Jones, who has been made an MBE, is a blessed relief. According to the prevailing rules of ageism and lookism, Jones should still be plugging away in supporting roles, typically as the large gobby sidekick which for years looked like the outer limit of her casting range. Read more... |
theartsdesk Q&A: Borgen creator Adam PriceSaturday, 14 December 2013
Borgen wasn’t supposed to be an international hit. Even though viewers all over the world had adored other Danish and Swedish TV exports like The Killing and The Bridge, the show’s creator Adam Price was told early on in the commissioning process that his slow-burn drama about Danish coalition politics was not something that was going to bring him global recognition. Read more... |
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