Theatre Features
Václav Havel, 1936-2011Sunday, 18 December 2011
In Rock’n’Roll, the play by Tom Stoppard, two characters haunt the stage without actually appearing on it. One of them, Syd Barrett, absconded from Pink Floyd to lead the life of a hermit. The other, Václav Havel, gave up the life of an internationally acclaimed, domestically banned playwright to become a head of state. Only one of them was in the audience for the premiere at the Royal Court. And it wasn’t the hermit. Read more... |
Interview: Pantomime Dame Berwick KalerSaturday, 17 December 2011
To just about everyone, the name will mean absolutely nothing. "I'm a jobbing actor," he says, and for most of the year it is true. He does little bits of telly, the odd tiny film role, a certain amount of provincial theatre. Every Christmas, though, Berwick Kaler strides forward into the spotlight of the ravishing, intimate York Theatre Royal and bids welcome to a fanatical army of devotees. Read more... |
Jamila Gavin: Writing Coram BoySaturday, 17 December 2011
Someone told me that the highways and byways of England were littered with the bones of little children. It was a shocking statement and of course I asked, “What do you mean?” I was told that abandoned children were a common feature of the past, but that in the 18th century someone called a “Coram Man” used to wander about from village to village and town to town – a bit like a tinker – picking up unwanted children. Read more... |
Opinion: There's more to children's theatre than pantoMonday, 05 December 2011
So, Christmas again then. Ho ho ho. It comes around every year. Cards, crackers, baubles, TV specials. And panto. I am a playwright. I write mostly for children and their families. I tend not to say I'm a children's writer because it's rare that a child has made the decision to come to one of my plays. A parent, teacher or loving adult has made that decision and forked out the money. Children can't access my work by turning on the telly or going to the library. Read more... |
Gillian Slovo: Writing The RiotsWednesday, 23 November 2011
I was shocked by the riots. I think everybody was shocked by the riots. It’s not just the scale of the rioting that was shocking. It’s the failure of the police and the fire services to take control of the situation. During my research for The Riots I interviewed a man who had his flat burned down and he told me that he couldn’t believe this could happen in a democracy. Read more... |
theartsdesk Debate: The Art of PerformanceSaturday, 10 September 2011
To celebrate theartsdesk's second birthday on Friday, we held a panel discussion on The Art of Performance at Kings Place, London, in the Kings Place Festival. Read more... |
theartsdesk MOT: The Lion King, Lyceum TheatreSunday, 04 September 2011
When The Lion King first opened in London in October 1999, there were cries from some quarters that it was merely following in a long line of stage shows that had been lifted lazily from films. Read more... |
The Lion King's West End ReignSunday, 04 September 2011
The stage musical The Lion King has been seen by nearly 10 million people in the UK - almost 60 million worldwide – and Lord only knows how many must have seen Walt Disney’s animation. I have a friend who reckons he has seen it at least 26 times and a... Read more... |
theartsdesk in Kuala Lumpur: Culture as a WeaponSunday, 24 July 2011
As hot, sweaty tourists dangle their feet in pools for Thai Nibble Fish to eat the dead skin from their feet at Kuala Lumpur’s quirky Art Deco Central Market, a small theatre upstairs is packed for a play about racial divisions and the myth of social unity here. Read more... |
theartsdesk in Flanders: Return to Journey's EndFriday, 15 July 2011
The battlefields of the First World War are frequented most by secondary school groups and military history enthusiasts. And by David Grindley: a man for whom the play Journey’s End is an obsession, and his direction of it award-winning. RC Sherriff's play follows a group of British officers preparing for battle in frontline trench warfare, and which places “ordinary men into extraordinary circumstances”. This month sees Grindley’s production returning to the West End. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
The screenwriting debut of actor Andrew Buchan,...
In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...
What a time to be alive it is for fans of late 80s, early 90s indie – the proverbial 6 Music...
“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...
“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...
I’m writing this in the lobby of the...
Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...
From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring...
In Late Night With the Devil, light entertainment rubs shoulders with demonic forces on a talk show. It isn't quite the homerun its 97%...