Opera Reviews
Bluebeard's Castle 1: Bullock, Finley, Theatre of Sound, Stone Nest review - scenes from a marriageMonday, 08 November 2021
Which is the locked-in character of the two in Bluebeard’s Castle? In composing his one-act masterpiece of shattering profundity, composer Bartók clearly intended Bluebeard’s as “the tragedy of a soul destined to be alone”; the woman Judith unlocks five doors to his psyche, but two more doors must be left shut. Read more... |
Bluebeard’s Castle 2: Komlósi, Relyea, LPO, Gardner, RFH review - consolations of solitudeMonday, 08 November 2021
Where is the stage – outside or within? The question posed by the prologue of Bartók’s only opera addresses the fundamental privacy of our thoughts, as well as setting the scene for its drama within the theatre of our own minds. For many of us a year and a half of periodic lockdown has only turned up the volume on the echoing contents of our heads, lending an unlooked-for familiarity to Bluebeard’s forbidding castle. Read more... |
HMS Pinafore, English National Opera review - shipshape classic comedy craftSaturday, 30 October 2021
Yes, it was bound to be HMS Laugh-a-minute, given Cal “One Man, Two Guvnors” McCrystal’s ENO comedy riffs on an already funny early G&S classic, but what does this tight little craft have to say to Little England today? Read more... |
The Rake's Progress, Glyndebourne Tour - a classic revitalizedMonday, 25 October 2021
Tom Rakewell Esquire, the Glyndebourne edition generally known as “the Hockney Rake” though it is very much director John Cox’s too, is 46 years old. Read more... |
Die ägyptische Helena, Fulham Opera review - mythological mess impressively handledWednesday, 20 October 2021
So Helen of Troy arrives at a church in Fulham via Poseidon’s island palace and a pavilion at the foot of the Atlas Mountains. Read more... |
Bernstein Double Bill, Opera North review - fractured relationships in song and danceMonday, 18 October 2021
Leonard Bernstein’s one-act opera Trouble in Tahiti enjoyed a relatively trouble-free gestation, at least compared to his other stage works. Its seven short scenes last around 50 minutes, Bernstein providing his own libretto and completing much of this acerbic, occasionally bitter study of a marriage in crisis whilst on his own honeymoon in 1951. Read more... |
Don Pasquale, Glyndebourne Tour review - winning comeback for a sturdy veteranTuesday, 12 October 2021
If it ain’t broke… on tour and in the Glyndebourne summer festival, Mariame Clément's production of Don Pasquale has gratified audiences for a decade now. It surely will again in Paul Higgins's spirited revival. The show returns to the Sussex house at the start of this year’s tour with the leaves about to turn but the gardens still ablaze with late-season colour. Read more... |
First Person: director Frederic Wake-Walker on Glyndebourne's new 'Fidelio'Wednesday, 06 October 2021
2016 Read more... |
Jenůfa, Royal Opera review - Janáček scours the soul again in a compelling new takeWednesday, 29 September 2021
At the heart of Janáček’s searing music-drama, and the pioneering play by another remarkable Czech, Gabriela Preissová, on which it is based, are two strong women trapped in a conventional community whose intelligence goes to waste and whose lives take tragic turns. Read more... |
Madam Butterfly, Welsh National Opera review - decent performance, disagreeable contextWednesday, 29 September 2021
It’s easy enough to see the difficulty Madam Butterfly places your thinking director in. I share her pain. Read more... |
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