dance
Imagine: A Beauty is Born, BBC OneWednesday, 19 December 2012
They should use the whole Yeats line: "A terrible beauty is born". The programme, A Beauty is Born, being terrible, I mean, rather than the Beauty, which is Matthew Bourne's Sleeping Beauty, his latest dance work, which isn't terrible at all, just a mite disappointing. And it strives a great deal higher and with more aim to stimulate than Alan Yentob did in this stock documentary from the BBC's flagship arts strand. Read more... |
The Wind in the Willows, Linbury Studio Theatre, Royal Opera HouseFriday, 14 December 2012
Once upon a time... for a child there is always an attic, with a rocking-horse, a wardrobe, an old clock and granny’s huge chair. And there's always a story to be found there about being monstrously bad and naughty, and being forgiven. This is the delight of the irresistible staging of The Wind in the Willows at the Royal Opera House’s subterranean Linbury Studio Theatre. Read more... |
The Nutcracker 3D, Mariinsky Ballet/ The Nutcracker, English National Ballet, London ColiseumThursday, 13 December 2012
The seasonal Nuts-fest continues (and culminates) with another two to add to the roast – live: English National Ballet’s recent production, and digital: the Mariinsky Theatre’s 3D film version. To the cinema we go. This is the first 3D Nutcracker ever, following the Mariinsky’s 3D Giselle last year – and the screening of dance is a good thing, as few can afford to fly the world over to see a number of Nutcracker productions. Read more... |
The Nutcracker, Royal BalletMonday, 10 December 2012
'Tis the season to be... transported to a magical, mystical extravaganza that will leave your mouth a-gasp, and your festive spirit in overdrive. This is how the lyrics of "Deck the Halls" should read once you’ve been to the Royal Opera House and savoured the Royal Ballet’s Nutcracker. Read more... |
Matthew Bourne's Sleeping Beauty, Sadler's Wells TheatreSaturday, 08 December 2012
It depends what you expect. This is Matthew Bourne’s Sleeping Beauty. So what do you expect of (a) Matthew Bourne and (b) The Sleeping Beauty? On both counts I’d answer: much more than we get here. Bourne at his best is brilliant - his Swan Lake, his Play Without Words, are two of the most rewarding and entertaining (I mean moving the heart, as well as hugely gratifying the visual palate) shows in dance in the past generation. Read more... |
Batsheva Ensemble, Sadler's WellsTuesday, 20 November 2012
Batsheva Dance Company is reaching its half-century, which makes it, as one of the world’s leading dance brands, not quite as old – or as young – as Israel, but Martha Graham helped launch it several years before the 1967 Six Day War. An international mix, it is in fact two companies, the senior one and the Ensemble, currently touring Britain and made up of youngsters who might or might not graduate to the main, Tel Aviv-based troupe. Read more... |
Concerto/ Las Hermanas/ Requiem, The Royal BalletMonday, 19 November 2012
With a reputation as the prince of unflinching emotional catharsis, Kenneth MacMillan emerged from the Royal Ballet’s triple bill marking the 20th anniversary of his death as a lord of lyricism. The new bill presents MacMillan three ways, his academic instincts, intellectual imagination and emotional vision - a bold versatility you (whisper it) almost never see from today's choreographers. Read more... |
FAR, Wayne McGregor / Random Dance, Linbury Theatre, Royal Opera HouseSaturday, 17 November 2012
Make no mistake; this is dancing of the highest order. The classically trained members of Wayne McGregor's company Random Dance demonstrate such exceptional mastery of technique that their movements should have one drooling in admiration. Read more... |
Jasmin Vardimon Company, FREEDOM, Sadler's WellsTuesday, 13 November 2012
The Jasmin Vardimon Company bring their latest creation, FREEDOM, to Sadler’s Wells this week for two nights only. The work is best described as a collection of vignettes (supposedly) discussing the subject of freedom, and any conflicting conditions. The programme literature confirms that Vardimon is assessing “political systems, social conditions and personal philosophies” within the piece – which is seriously fighting talk that wasn’t necessarily backed up. Read more... |
Cesena, Anne Teresa De Keersmaeker’s Rosas, Sadler’s WellsFriday, 09 November 2012
Well, if De Keersmaeker made us work hard for our enlightenment earlier in the week, we more than get our reward with her triumphant, astonishing Cesena in the second part of her double-programme designed for the Avignon Festival. Read more... |
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