sun 12/10/2025

Comedy Reviews

Tim Minchin, Eventim Apollo review - fabulous triumph of rhyme and reason

Jasper Rees

Is there anything Tim Minchin cannot do? He sings his own songs, plays hot bar-room piano and tells jokes about the existence of God. He composes musicals, performs in Lloyd Webber and Stoppard, writes a multimillion-dollar Hollywood cartoon which he is allowed to direct – until he isn’t.

Read more...

Jonathan Pie, Eventim Apollo review - spoof reporter in coruscating form

Veronica Lee

Jonathan Pie is a YouTube star, a spoof television news reporter (created by actor and comic Tom Walker), who is prone to gaffes. It was one of those on-screen gaffes that led to Pie being sacked as the BBC's Westminster correspondent, footage of which we see here on the onstage big screen alongside the highlights and lowlights of Pie's career – mostly the latter.

Read more...

Lou Sanders, Soho Theatre review - feminism and dodgy massages

Veronica Lee

Lou Sanders has named her latest show (which debuted at the Edinburgh Fringe) Say Hello to Your New Step-Mummy. But, as she tells us in her opening comments, she's not a mother or stepmother, and hasn't yet met a father she likes, but “by the end of the year, God willing…”

Read more...

Ben Elton, Tunbridge Wells Assembly Hall review - magnificent return to stand-up

Veronica Lee

It has been 15 years since Ben Elton, known as Motormouth in his 1980s heyday – last toured.

Read more...

Lenny Henry, Watford Colosseum review - enjoyable evening with genial host

Veronica Lee

It’s a long time since Lenny Henry performed live comedy, and a lot has happened in that interval. He has reinvented himself as a serious actor on stage and screen, become a spokesman for the black British experience, was knighted in 2015 and is now a national treasure.

Read more...

Hannah Gadsby, Royal Festival Hall review - simply magnificent

Veronica Lee

It's a wonderful thing when a talented comic goes from niche performer to international star almost overnight, and that's what happened to Australian stand-up Hannah Gadsby. In 2017, she announced that her award-winning Edinburgh Fringe show, Nanette, was to be her last as she felt ground down after a decade in a misogynistic and homophobic industry.

Read more...

Elf Lyons, Komedia, Brighton review - bonkers, brilliant and a bit of bare bum

Katie Colombus

Elf Lyons’ new show, Love Songs To Guinea Pigs, has moved away from her usual slapstick and absurdist mimicry into new realms of traditional stand up. She cites the reason as being unable to do mime on the radio, but there’s a more serious reason for the switch.

Read more...

Rob Beckett, St David's Hall, Cardiff review - a mixed bag of observations

Owen Richards

There’s been no avoiding Rob Beckett in recent years. His high beam smile and infectious personality have made him a mainstay of comedy shows. Now he’s back on the road with what he calls the best job in the world, stand up. You can tell he means it, with a show that thrives on enthusiasm if not consistency.

Read more...

Eddie Izzard, Brighton Dome review - splendidly surreal storytelling

Veronica Lee

Eddie Izzard is dressed in a killer outfit of black leather jacket, tartan mini-kilt, thigh-length stiletto boots – and false boobs. “I got them at IKEA,” he deadpans. He’s in jovial form for Wunderbar, his farewell tour before he hopes to enter politics.

Read more...

Russell Howard, Cardiff Motorpoint Arena review - a return with bite

Owen Richards

It’s been two years since Russell Howard last performed stand-up. That’s a long gap for such an established fixture of British comedy. As he points out, the world has changed, something reflected in his new show Respite. There are still the whimsical anecdotes that made him a star, but he now has bigger foils than his own family.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Two-Piano Gala, Kings Place review - shining constellations

Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works,...

Music Reissues Weekly: Marc and the Mambas - Three Black Nig...

A month after Soft Cell’s "Say Hello, Wave Goodbye" single peaked at number three in the UK charts, Marc Almond issued a single credited to Marc...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...