fri 05/09/2025

Visual Arts Reviews

Tessa Farmer, Danielle Arnaud Art Gallery/Crypt Gallery

howard Male In Tessa Farmer’s world a mummified cat can become an entertainment complex for fairies and bugs

The world of artist and entomologist Tessa Farmer really is a world, wholly self-contained and free of human kind – unless you see her tiny warring fairies as symbolic of mankind’s conscience-free decimation of our planet’s environment and co-inhabitants. And it’s hard not to when you see them relentlessly picking over the corpse of a bird, mugging a mouse, or scrapping with a hornet, their tiny skeletal forms so industriously yet somehow amusingly destructive.

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George Shaw: The Sly and Unseen Day, South London Gallery

Fisun Güner

By anyone’s standards this is an obscure year for the Turner Prize shortlist: you should consider yourself a contemporary art aficionado if you’ve heard of even one of the artists. And if this is indeed the case, that artist is likely to be George Shaw; in recent years his work has featured regularly in group displays at Tate Britain.

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Egon Schiele, Richard Nagy Gallery

Josh Spero Egon Schiele, 'Woman With Homunculus', 1910

Richard Nagy's gallery has said that they don't want millions of people rushing to see their show of Egon Schiele's drawings of women - it's only a small second-floor space on New Bond Street after all, and 50 fragile pictures crowd the walls. But don't let that dissuade you from seeing one of the shows of the year.

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Kutlug Ataman, Brighton Festival/Thomas Dane Gallery, London

Fisun Güner 'Mayhem' features the Bosphorus, the narrow strip of water separating Europe and Asia

One of the highlights of this year’s Brighton Festival, curated largely via web chats and long-distance phone conversations by Aung San Suu Kyi, is Kutlug Ataman’s silent film installation Mesopotamian Dramaturgies. The leading Turkish artist, a favourite of international biennales and arts festivals, has taken over the town’s Old...

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The Hepworth Wakefield

Sarah Kent

A town in desperate need of regeneration commissions David Chipperfield, the architect of the moment, to build an art gallery in the hope of attracting visitors with deep pockets.

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Max Bill, Annely Juda Fine Art

Judith Flanders 'green square with migrated pythagorean triangles' (1982) by Max Bill, the missing link in modern art

Max Bill might be the missing link in modern art. He died only in 1994, yet he studied at the Bauhaus in Dessau in the 1920s, taught by Josef Albers, László Moholy-Nagy, Paul Klee and Kandinsky. It is hard to imagine that someone who was working at full strength less than 20 years ago could have a past that is so strongly entwined with these legendary names – hard to imagine, that is, until one looks at the work displayed in this fine retrospective, which even so manages to encompass...

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The Mountain That Had To Be Painted, BBC Four

Jasper Rees

Half of Wales is visible from the blustery summit. “Of all the hills which I saw in Wales,” recalled George Borrow, author of the prolix Victorian classic Wild Wales, “none made a greater impression upon me.” He was not alone. Arenig Fawr, a southern outcrop of Snowdonia, was also the entry point for British art into Post-Impressionism.

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Tracey Emin: Love Is What You Want, Hayward Gallery

Mark Hudson

That Tracey Emin is one of the defining personalities of our time isn’t in doubt. Even if you never want to hear another second of her guileless wittering, another word about her abortions, traumatic early rape and relentless onanistic neediness, you can't deny that her self-effected transformation from chippy Margate outsider to big-league art-world player represents something extraordinary.

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Christine Borland & Kerry Tribe, Camden Arts Centre

Sarah Kent Christine Borland: 'Cast From Nature'

“As a student at Glasgow School of Art I used to visit the amazing anatomy, zoology and ethnographic collections at Glasgow University,” says Christine Borland. “I couldn’t understand why I was so intrigued, except for the question of how something so awful – so dead – could also be so beautiful. I was trying to unpick my responses, to understand how beauty and death could co-exist.”

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Ai Weiwei, Lisson Gallery & Somerset House

Judith Flanders Ai Weiwei: 'Circle of Animals/ Zodiac Heads'

It is now 37 days since Ai Weiwei was detained at Beijing international airport by the Chinese authorities. His family and friends have heard nothing since. His lawyer, to whom under Chinese law he must have access, was arrested as well, and since his own release he too has heard nothing. Officially, unless charges are brought today, the period in which he can be held without charge expires. And yet, where is Ai Weiwei? The whereabouts of Ai Weiwei the man are unknown. In London,...

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