mon 06/05/2024

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

John Shuttleworth, Leicester Square Theatre review - reflections on life in the slow lane

Read more...

The Trouble With Maggie Cole, ITV review - Dawn French stars in new comedy drama

Read more...

United Queendom, Kensington Palace review - rollicking royal tale

Read more...

Lucy Porter, Quarterhouse, Folkestone review - confessions of an ex-Brownie

Read more...

Ahir Shah, West End Centre, Aldershot review - a millennial's existential angst

Read more...

Simon Brodkin, The Stables, Milton Keynes review - comics casts off his Lee Nelson character

Read more...

Alexei Sayle, Oxford Playhouse review - return of the political bruiser

Read more...

Upstart Crow, Gielgud Theatre review - terrific Shakespeare spoof

Read more...

Simon Evans, Blackheath Halls review - a big reveal worth waiting for

Read more...

Jen Brister, Soho Theatre review - parenting, privilege and porn under scrutiny

Read more...

David Baddiel, RST, Stratford-upon-Avon review - taking on the trolls

Read more...

Jayde Adams, Soho Theatre review - witty celebrity takedown

Read more...

Matt Forde, Soho Theatre review - Brexit and beyond

Read more...

Flo & Joan, Soho Theatre review - entertaining wit and whimsy

Read more...

Frank Skinner, Garrick Theatre review - a masterclass in owning the room

Read more...

Leicester Comedy Festival Gala Preview Show, De Montfort Hall review - mixed bag in mixed bill

Read more...

Pages

latest in today

Red Eye, ITV review - Anglo-Chinese relations tested in junk...

Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air...

L'Olimpiade, Irish National Opera review - Vivaldi...

In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...

Album: Josienne Clarke - Parenthesis, I

Parentheses, I is an album title  (I) – that’s a hieroglyph of the self, the brackets like...

Music Reissues Weekly: West Coast Consortium - All The Love...

West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too...

Love Lies Bleeding review - a pumped-up neo-noir

Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger...

Remembering conductor Andrew Davis (1944-2024)

As a human being of immense warmth, humour and erudition, Andrew Davis made it all too easy to forget what towering, incandescent performances he...

Brancusi, Pompidou Centre, Paris review - founding father of...

120 sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born...

CVC, Concorde 2, Brighton review - they have the songs and t...

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....

Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...

Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...

Extract: Pariah Genius by Iain Sinclair

Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...