sat 10/05/2025

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

The Other One, BBC One review - entertaining odd-couple sitcom

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Days of the Bagnold Summer review - wry suburban drama

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Space Force, Netflix review - fails to launch

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Desiree Burch, Soho Theatre On Demand review - fantastical storytelling

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The Understudy online review - entertaining adaptation of David Nicholls' novel

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Lockdown Comedy 2: where to get your laughs this week

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In Search of Greatness review - Gabe Polsky's absorbing sports documentary

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Jerry Seinfeld, Netflix review - not bad for a swansong

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Isolation Song Contest review - a fun alternative to Eurovision

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After Life series 2, Netflix review - Ricky Gervais's study of bereavement continues

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Aditi Mittal, Soho Theatre On Demand review - cows, mothers and fempowerment

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The Host review - implausible suspense thriller

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Simon Amstell, Netflix review - wisdom and wisecracks

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Clarence Clemons: Who Do I Think I Am? review - documentary about Springsteen's saxophonist

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Rachel Fairburn, Go Faster Stripe review - smart and subtle gags

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Lazy Susan, Soho Theatre On Demand review - sketch duo's ingeniously plotted show

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Here We Are, National Theatre review - Sondheim's sensa...

You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....

Riefenstahl review - fascinating fascism? Portrait of the Na...

There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...

Giant, Harold Pinter Theatre review - incendiary Roald Dahl...

When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...

'Classic-era prog’s Olympian pinnacle': Pink Floyd...

Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...

The Surfer review - Nicolas Cage is relentlessly down and ou...

“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...

Einkvan, Det Norske Teatret, The Coronet Theatre review - al...

Watching the stricken faces on the split screen, I felt at times like callow Farfrae in Hardy’s The Mayor of Casterbridge: when faced...

Desire: The Carl Craig Story review - a worthy, brand-consci...

Carl Craig (b.1969) is a leading Detroit electronic music producer and DJ whose Planet E Communications label has existed for over three decades....

Album: Sleep Token - Even In Arcadia

It has never been an exact science understanding when something will capture lightning in a bottle and go viral. Even less expected is for an...

The Trunk, Netflix review - stylish, noir-ish Korean drama w...

The trunk in the title is a luxury item, worth 50 million won – just north of £27,000 – shown sinking in deep water in the opening...