wed 22/03/2023

Tim Cumming

Articles By Tim Cumming

CD: Paul McCartney - Egypt Station

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WOMAD, Charlton Park review – drawing the world a little closer

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theartsdesk in Essaouira: Festival of Gnawa - 21st-century trance masters

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The Rolling Stones, Twickenham Stadium review - until the next goodbye?

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Songlines Encounters Festival, Kings Place review - mellifluous launch from African strings

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CD: Willie Nelson - Last Man Standing

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Arena: Bob Dylan - Trouble No More, BBC Four review - up close and personal with Gospel Bob

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CD: Josienne Clarke and Ben Walker - Seedlings All

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CD: The Gloaming - Live at The NHC

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CD: Stick in the Wheel - Follow Them True

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Kings of The South Seas, Cutty Sark review - folly and tragedy resurrected

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theartsdesk Q&A: Musician Mark E Smith

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Albums of the Year 2017: Offa Rex - Queen of Hearts

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CD: Martin Hayes Quartet - The Blue Room

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CD Special: Bob Dylan's Trouble No More review - he’d never sound better

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'English music is lumpy if you don't play it well': interview with folk trio Leveret

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latest in today

The Chevalier, St Martin-in-the-Fields review - virtuoso jou...

Shimmeringly urbane, shifting effortlessly from intricate agility to muscular intensity, the music of the 18th century composer Joseph Bologne is...

First Person: Anna Clyne on composing collaborations, not ba...

Collaboration fuels a lot of my music – I love the interaction that takes me outside of my natural tendencies – it’s a source of...

Robert Forster, Lafayette review - élan, spontaneity and tho...

“Learn to Burn” generates the loudest and most sustained applause. As it was originally the opening track of Robert Forster’s 2015 album Songs...

Album: Black Honey - A Fistful of Peaches

There’s a disconnect on the third album by Brighton rockers Black Honey. The music is rousing post-grunge indie...

Turandot, Royal Opera review - spectacle and sound wow in th...

Nearly 40 years old, Andrei Serban’s Royal Opera Turandot feels like a gilded relic (I felt like a relic myself on learning that my...

Osborne, RSNO, Chan, Usher Hall, Edinburgh - cinematic sweep...

Two women featured prominently in this programme; the one a composer and the other a conductor.

To the composer first. Long before she hit...

The Beasts review - a countryside idyll loses its charm

The Beasts (As Bestas) is all of two hours and 17 minutes long, and yet to look away is never an option. ...

DVD/Blu-ray: Living

Mr Williams (a wonderfully restrained, Oscar-nominated Bill Nighy) is taking time off work from his job in the Public Works department at County...

Dance of Death, National Theatre of Norway, Coronet Theatre...

You don’t have to be Scandinavian to act out Strindberg’s fantastical extremes at the highest level, but I’ve not seen any British performers come...

Allelujah review - Alan Bennett put through the blender

I'm proffering just a tad less than three cheers for Allelujah, the film version of...