tue 05/07/2022

Sebastian Scotney

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Articles By Sebastian Scotney

Eric Clapton, Carlos Santana and Steve Winwood, BST Hyde Park review - the Clapton faithful in their droves

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Falstaff, Garsington Opera review - Sir John under pressure

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Giulio Cesare, Glyndebourne review - no weak link

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Robert Gordon: Memphis Rent Party review - a fast-moving Mississippi anthology

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Matthias Goerne, Seong-Jin Cho, Wigmore Hall review - slow and slower Strauss

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Gregory Porter, Royal Albert Hall review - impressive first night for the Nat King Cole & Me tour

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Dialogues des Carmélites, Guildhall School review - calm and humane drama of faith

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Joyce DiDonato and Brentano Quartet, Wigmore Hall - not enough variety

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Jaron Lanier: Dawn of the New Everything review - pioneer of virtual reality tells his story

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Jools Holland and José Feliciano, Royal Albert Hall review - giving the audience what they expect

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An Evening with Pat Metheny, Barbican - sheer joy under the Missouri sky

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Marcel Proust: Letters to the Lady Upstairs - a very slim volume

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Grenfell Tower Benefit Concert, Cadogan Hall - stellar line-up for a vital cause

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Sigrid Rausing: Mayhem review - you want it darker?

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Sebestyén, Budapest Festival Orchestra, Fischer, RFH

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Total Immersion: Richard Rodney Bennett, Barbican

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Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons....

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre re...

Pinocchio is one of our most irreverent metamorphosis stories, and in this visually ingenious blend of...