thu 03/07/2025

Sebastian Scotney

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Articles By Sebastian Scotney

EFG London Jazz Festival round-up review - great moments in London's tiny clubs

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Juniper review - a classic role for Charlotte Rampling

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Bloody Oranges review - a gruesome and gruelling French social satire

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Ken Auletta: Hollywood Ending - Harvey Weinstein and the Culture of Silence review - if the tide had turned in 2002...

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Album: Julia Hülsmann Quartet - The Next Door

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Official Competition review - satire served cold

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Album: Gabriele Mirabassi and Stefano Zanchini - Il gatto e la volpe

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Mingus Dynasty, Ronnie Scott's review - official keepers of the flame at the temple of jazz

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Prom 40, Moore, RPO, Petrenko review - orchestral clarity, and a persuasive trombonist

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Our Eternal Summer review - tragedy taps authentic teenage emotions in Marseille

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Album: Gareth Williams - Short Stories

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The Good Boss review - Javier Bardem at his creepy best

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theartsdesk in Montreal - delights and discoveries at the 42nd International Jazz Festival

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The Big Hit review - prisoners play 'Godot'

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Album: Vadim Neselovskyi - Odesa: A Musical Walk Through a Legendary City

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Album: Binker Golding - Dream Like A Dogwood Wild Boy

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'We are bowled over!' Thank you for your messages... ...
The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...