tue 17/09/2024

Saskia Baron

Articles By Saskia Baron

Scrounger, Finborough Theatre review - uncomfortable play tackles disability discrimination

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Uncut Gems review - relentless tale of gambling and the diamond trade

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The Peanut Butter Falcon review - sentimental comedy is so damn heartwarming

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Werewolf review - post-Holocaust horrors

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Memory: The Origins of Alien review - a study of the sci-fi horror classic

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Transit review - existential nightmares for a German refugee

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Gwen review - gothic horror set in north Wales

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Jellyfish, National Theatre review - Ben Weatherill's play hits the right notes

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Spiderman: Far from Home review - a pleasant, if clichéd, tour

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DVD/Blu-ray: Mirai

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Support the Girls review - working class dramedy misses edge

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Toy Story 4 review - fabulous return to the big screen

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Blu-ray: Dazed and Confused

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Men in Black: International review - lacklustre sequel missing original stars

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Blu-ray: My Brilliant Career

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Booksmart review - teen sex comedy with shallow feminist credentials

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Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...