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Judith Flanders

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Bio
Judith is the author of A Circle of Sisters, a biography of Alice Kipling, Louisa Baldwin, Agnes Poynter and Georgiana Burne-Jones, The Victorian House: Domestic Life from Childbirth to Deathbed, and Consuming Passions: Leisure and Pleasure in Victorian England. Her new book, The Invention of Murder, was recently published in paperback. She writes on the arts and books for the Spectator, the Wall Street Journal, the Sunday Telegraph and the TLS.

Articles By Judith Flanders

Paul Noble: Welcome to Nobson, Gagosian Gallery

Monday, 14 November 2011 Read more...

Royal Manuscripts: The Genius of Illumination, British Library

Friday, 11 November 2011 Read more...

Manon, Royal Ballet

Wednesday, 09 November 2011 Read more...

The First Actresses: Nell Gwynne to Sarah Siddons, National Portrait Gallery

Wednesday, 02 November 2011 Read more...

Greece showers Soviet art riches on London

Friday, 28 October 2011 Read more...

Building the Revolution: Soviet Art and Architecture, 1915-1935, Royal Academy

Wednesday, 26 October 2011 Read more...

La Fille Mal Gardée, Birmingham Royal Ballet, Sadler's Wells

Friday, 21 October 2011 Read more...

Emanuel Gat Dance, Brilliant Corners, Sadler’s Wells

Monday, 10 October 2011 Read more...

Miracles and Charms, Wellcome Collection

Thursday, 06 October 2011 Read more...

John Martin: Apocalypse, Tate Britain

Wednesday, 21 September 2011 Read more...

Christo and Jeanne-Claude, 40 Years, 12 Exhibitions, Annely Juda Fine Art

Sunday, 18 September 2011 Read more...

Mariinsky Ballet, Royal Opera House: The Highlights

Sunday, 14 August 2011 Read more...

Anna Karenina, Mariinsky Ballet, Royal Opera House

Wednesday, 10 August 2011 Read more...

Don Quixote, Mariinsky Ballet, Royal Opera House

Tuesday, 02 August 2011 Read more...

Homage to Fokine, Mariinsky Ballet, Royal Opera House

Saturday, 30 July 2011 Read more...

Swan Lake, Mariinsky Ballet, Royal Opera House

Tuesday, 26 July 2011 Read more...

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The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

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Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

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Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...