Hannah Hutchings-Georgiou

Articles By Hannah Hutchings-Georgiou

'The people behind the postcards': an interview with Priya Hein, author of 'Riambel' Tuesday, 03 October 2023 Read more...	Beatriz Milhazes: Maresias, Turner Contemporary review - the taste and sight of Brazil Thursday, 03 August 2023 Read more...
Matter as Actor, Lisson Gallery review - living in a material world Friday, 09 June 2023 Read more...	Seraphina Madsen: Aurora review - the tarot won’t save us Tuesday, 28 March 2023 Read more...
Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed Saturday, 25 March 2023 Read more...	Sonia Boyce: Feeling Her Way, Turner Contemporary review - a feedback loop of musical union Saturday, 18 February 2023 Read more...
10 Questions for writer and translator Saskia Vogel Wednesday, 21 December 2022 Read more...	Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal Thursday, 29 September 2022 Read more...
Amalie Smith: Thread Ripper review - the tangled web we weave Wednesday, 03 August 2022 Read more...	10 Questions for art historian and fiction writer Chloë Ashby Saturday, 11 June 2022 Read more...
Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online Wednesday, 11 May 2022 Read more...	Scholastique Mukasonga: The Barefoot Woman review - remembering Rwanda before 1994 Thursday, 14 April 2022 Read more...

It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But...

Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...

It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...