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Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

theartsdesk Q&A: Actress Liz Fraser

Saturday, 31 January 2015 Read more...

DVD: The Battles of Coronel and Falkland Islands

Saturday, 10 January 2015 Read more...

Into the Woods

Friday, 09 January 2015 Read more...

DVD: Night Moves

Friday, 02 January 2015 Read more...

The Hobbit: The Battle of the Five Armies

Wednesday, 10 December 2014 Read more...

Sci-Fi Week: 2001: A Space Odyssey

Thursday, 27 November 2014 Read more...

Diplomacy

Friday, 14 November 2014 Read more...

CD: Pink Floyd - The Endless River

Saturday, 08 November 2014 Read more...

DVD: Animal Farm

Tuesday, 04 November 2014 Read more...

Violette

Thursday, 02 October 2014 Read more...

Down by Law

Sunday, 14 September 2014 Read more...

M

Sunday, 07 September 2014 Read more...

Mood Indigo

Wednesday, 30 July 2014 Read more...

DVD: Independencia

Friday, 25 July 2014 Read more...

Norte, the End of History

Tuesday, 15 July 2014 Read more...

DVD: Exhibition

Tuesday, 17 June 2014 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...