tue 25/06/2019

Fisun Güner

Fisun Güner's picture
Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner

Articles By Fisun Güner

latest in today

Cash Cow, Hampstead Theatre review - timely look at pushy te...

“How much does she owe us?” So ponder the now estranged parents of a former tennis pro, as they calculate the very literal investment they’ve put...

BBC Cardiff Singer of the World 2019 Final, BBC Four review...

If ever there was an instance of the great being the enemy of the good, it happened after all the live...

Brundibár, Welsh National Opera review - bittersweet childre...

Politics, in case you may not have noticed, has been in the air of late: questions of escape, release, borders, refugees, things like that. So...

Belshazzar, The Grange Festival review – songs of freedom

Cut almost anywhere into the lesser-known seams of Handel’s oratorios and you may strike plentiful nuggets of the purest gold. It may not be quite...

Beecham House, ITV review - a cartoon version of 18th centur...

It has become routine to accuse Brexiteers of wanting to bring...

Anna Bolena, Longborough Festival Opera review - Henry VIII...

Divorced, beheaded, died; divorced, beheaded, survived. Anne Boleyn is number two on the list, so anyone who can remember even that much Tudor...

CD: Freddie Gibbs & Madlib - Bandana

Don't let the presence of nerds' favourite Madlib on production duties fool you: this is a big bad bastard of a West Coast rap record. It's a...

Ocean Vuong: On Earth We’re Briefly Gorgeous review – the ne...

Ocean Vuong’s debut novel is written as a letter to...

Reissue CDs Weekly: Pink Fairies

Like Lemmy, the bassist with their fellow London-based freaks Hawkwind, Pink Fairies crossed the bridge between the late-Sixties underground and...