wed 29/01/2020

Caroline Crampton

Articles By Caroline Crampton

latest in today

Belsen: Our Story, BBC Two review - inside the unfathomable...

The 75th anniversary of the liberation of Auschwitz reminds us once again of the unfathomable horror of the...

The Sugar Syndrome, Orange Tree Theatre review - pushing emp...

Your sweet tooth can get you into trouble. Lots of trouble. In this revival of Lucy Prebble's provocative...

Young, Sikh and Proud, BBC One review - siblings divided by...

Journalist Sunny Hundal has a long track record as a writer and blogger concerned with issues of...

Faustus: That Damned Woman, Lyric Hammersmith review - gende...

Changing the gender of the title character “highlights the...

Album: Kesha - High Road

Doubters presume Kesha’s multi-million-selling success derives mainly from a decade ago, the time of her monster hit, “Tik Tok”? Since then, the...

Oriole Ensemble, Conway Hall review - sublimely peculiar cha...

When I reviewed the Philharmonia’s Weimar season last year I expressed a hope to hear more Hindemith performed in London. When, also last year, I...

DVD/Blu-ray: Bait

Mark Jenkin’s black and white masterpiece about...

Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican re...

"Citizen. European. Pianist," declares Russian-born, Berlin-...

Street Scene, Opera North review - a true ensemble achieveme...

Kurt Weill’s “Broadway opera” – his own preferred description – is an extraordinary and brilliant piece of...