Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Vic Marks: Original Spin review - trouble in Taunton
In cricket, timing is everything. Played a fraction early and that...
Reissue CDs Weekly: Peter Laughner
“As much as I love New York City, it’s all too obvious that Cleveland is about to become the musical focal point that the Big Apple has been on...
Making Noise Quietly review - poetic if occasionally preciou...
Robert Holman’s 1986 Bush Theatre play – seen most recently in London at the Donmar Warehouse in 2012 – makes for a beautifully acted curio of a...
Prom 1, BBCSO, Canellakis review - space-age First Night
A new commission, a Romantic tone poem and a choral spectacular – standard fare for the First Night of the...
Tell It to the Bees review - taboo love in 1950s Scotland
In Tell It to the Bees, sex is aberrant unless it’s conducted by a straight married couple. Since...
Die Zauberflöte, Glyndebourne Festival review – high jinks i...
Die Zauberflöte rarely attracts the plain cooks of the operatic world....
Pavarotti review - enjoyable but superficial survey of a sup...
One of the most memorable moments in Ron Howard’...
Beuys' Acorns, Bloomberg Arcade London review – not muc...
The City of London is an ecological disaster. Around Bank,...