mon 19/05/2025

tv

Lenny Henry's Race Through Comedy, Gold review - illuminating account of TV's struggle to become multicultural

Adam Sweeting

Sir Lenny Henry, PhD and CBE, is scarcely recognisable as the teenager who made his TV debut on New Faces in 1975. He’s been a stand-up comedian, musician and Shakespearean actor, and even wrote his own dramatised autobiography for BBC One.

Read more...

Chaos in the Cockpit: Flights from Hell, Channel 5 review - do we really want to watch plane-wreck TV?

Adam Sweeting

Apparently your odds of dying in a plane crash are about one in 11 million, while chances of death in a car accident are about one in 5,000. Therefore flying is theoretically safe, and supposedly getting safer.

Read more...

Studio 17: The Lost Reggae Tapes, BBC Four review - a perfectly paced tale of world-shaking basslines and human frailty

joe Muggs

If there was ever a documentary that needed you to have good speakers on your TV setup – or good headphones if you're watching on computer or tablet – this is it.

Read more...

The Capture, BBC One, series finale review - nimble drama alive with twists

Jasper Rees

What did we learn at the end of The Capture (BBC One)? A rice jar is a good place to hide USB sticks. It’s possible to withhold the opening credits for 11 whole minutes. A green coat works exceptionally well with light blue eyes and shoulder-length auburn hair.

Read more...

Doing Drugs for Fun, Channel 5 review - why the cocaine trade is no laughing matter

Adam Sweeting

Monday night’s first episode of this three-part series was a bit ordinary, as it introduced its cast of British recreational cocaine users and explained why their habit may be ill-advised.

Read more...

The Great British Bake Off, Episode 7, Channel 4 review - bakers hampered by pointless celebrities

Adam Sweeting

What’s extraordinary about Bake Off is not just the staggering complexity of the cooking challenges, but the amount of technical shenanigans that go into turning it into a finished programme (actually, spoiler-averse Channel 4 had teasingly left the ending off my preview version of this week’s show, but...

Read more...

Catherine the Great, Sky Atlantic review - a glorious role for Helen Mirren only gets better

Tom Birchenough

“I want something Russian…” It’s with such a cry that Helen Mirren, bored by the bizarrely transgressive masked ball that comes at the close of the first episode of Catherine the Great, gets the dancing going: nothing from the imported fashions of Europe will do for her, and the music duly strikes up, a soupily romantic melody on violin, the quintessence, you might think, of mythic "Russianness”.

Read more...

The Capture, Episode 5, BBC One review - the man who knew too much

Adam Sweeting

Five episodes ago, BBC One's The Capture set off at a cracking pace with the apparent abduction and murder of barrister Hannah Roberts by army lance-corporal Shaun Emery.

Read more...

Snackmasters, Channel 4 review - superchefs take the clone-a-KitKat challenge

Adam Sweeting

The themes of food and cookery have already been boiled until the bottom of the saucepan melted, but TV commissioning editors can’t stop searching for new twists in the formula.

Read more...

World on Fire, BBC One review - more melodrama than drama

Adam Sweeting

For his new drama series for BBC One, writer Peter Bowker (The A Word, Monroe etc) has taken as his canvas no less than a panorama of Europe in 1939, just as World War Two is breaking out.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during “Tell it Back to me.” The album’s eight songs do not, however, necessarily say what Forster...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters, Kings Place review - West African and...

Songlines Encounters is your round-the-world ticket to great...

The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...

Magic Farm review - numpties from the Nineties

There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...

The Great Escape Festival 2025, Brighton review - a dip into...

As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...