mon 19/05/2025

tv

Pen15, Sky Comedy review - the horror of adolescent schooldays revisited

Adam Sweeting

The cringe-making horror of adolescent schooldays is vividly re-lived in this US import (on Sky Comedy), but with a cunning twist. Its supposedly confused and hormonal leads are played by 30-somethings Maya Erskine and Anna Konkle, who blend themselves in with a cast of actual 13-year-olds with uncanny skill.

Read more...

The Steph Show, Channel 4 review - magazine show debuts from host's front room

Veronica Lee

As we are learning each day during lockdown, necessity is the mother of invention. In Channel 4's case, it is learning how the wonders of modern technology can save a situation: to wit, The Steph Show was meant to come live daily from a shiny new studio in Leeds Docks, but yesterday debuted from host Steph McGovern's front room in North Yorkshire. 

Read more...

Batwoman, E4 review - can Bruce Wayne's female cousin fill his bat-costume?

Adam Sweeting

The Marvel Cinematic Universe has been saturating the globe with its multi-format superheroes, leaving its DC rival looking clumsy and disorganised by comparison.

Read more...

Rock ‘n’ Roll Island: Where Legends Were Born, BBC Four review - remembering rock's big bang

Liz Thomson

“Friday night is Amami night” – that was the ad that ran from the 1920s through to the 1950s for a brand of “setting lotion”, a delightfully old-fashioned term. Those were the days when young women stayed home and did their hair, in preparation for a Saturday night out.

Read more...

ReMastered: Devil at the Crossroads, Netflix review - a story well told but marred by clichéd style

mark Kidel

Mississippi bluesman Robert Johnson’s reputation was much enhanced by the story – never substantiated – that he’d met with the devil one night at a crossroads, and was miraculously taught exquisite guitar licks that astounded his juke-joint audiences and later the world.

Read more...

Mister Winner, BBC2 review - gentle comedy about one of life's losers

Veronica Lee

Spencer Jones, a clownish stand-up, has been responsible for some the cheeriest, daftest and most heart-warming shows at the Edinburgh Fringe, where he has twice been nominated in Dave's Edinburgh Comedy Awards (ECA). Others may know him from his scene-stealing turn in Upstart Crow, where he channels Ricky Gervais in the character of Will Kempe.

Read more...

Our Girl, Series 5, BBC One review - where soap and warfare collide

Adam Sweeting

Some things never change in Our Girl. At the beginning of 2018’s Series 4, military heroine Georgie Lane (Michelle Keegan) had been traumatised by the death of her fiance Elvis Harte, killed in Afghanistan at the end of Series 3.

Read more...

Comedy Against Living Miserably, Dave review - standups tread the boards for CALM charity

Adam Sweeting

This was the third collaboration between Dave and the mental health charity CALM (Comedy Against Living Miserably), hosted at EartH in Dalston by Joel Dommett.

Read more...

Putin: A Russian Spy Story, Channel 4 review - inside the mind of a man without a face

Tom Birchenough

Director Nick Green’s new three-parter follows on the heels of his A Dangerous Dynasty: House of Assad and comparisons are sure to be made between his two subjects.

Read more...

Slipknot Unmasked: All Out Life, BBC iPlayer – masked metalheads reveal all

Guy Oddy

There aren’t many metal bands like Slipknot. For a start, the nine-piece line-up consists of the standard vocalist, two guitars, bass and drums – but then there are also two percussionists, sampler and decks. Their music is consistently ferocious, with a hardcore, high-speed, ragging thump and semi-comprehensible lyrics that leaves no room for chart-friendly power ballads.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters, Kings Place review - West African and...

Songlines Encounters is your round-the-world ticket to great...