thu 31/07/2025

tv

Big Brother, Channel 4

howard Male The eye had it, and will be sadly missed by our unapologetic critic

There is a lot of talk about the contestants' experience of Big Brother but little about the viewer’s experience. During its decade on air there was a drop-off of both the red tops' shock-horror coverage and the intellectualised justifications put forward by the quality press, and inevitably this resulted in viewing figures also declining with each passing year. But I confess I remained an avid viewer. It’s not what you watch, it’s how you watch it, I would say to baffled friends to...

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Mountain Gorillas, BBC Two/ Horsepower with Martin Clunes, ITV1

Ismene Brown Mountain Gorilla: eats shoots and leaves, but will others leave it alone?

People are lured to behave like animals for TV now - Big Brother, Celebrity Jungle, The X Factor - so it merely completes the idiotic equation to have animals insistently transfigured into little humans in wildlife TV. Or big, hairy humans in the case of mountain gorillas and Martin Clunes.

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Teen Undertaker, Channel 4

graeme Thomson

This quirky, compelling little Cutting Edge film never really worked out what it wanted us to think about what we were seeing, which in the end played to its advantage.

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The Raoul Moat Tapes: Inside the Mind of a Killer, Channel 4

Fisun Güner According to a psychiatrist, Moat had to kill 'in order to feel better'

After going on his murderous rampage earlier this summer, the police hunt for Raoul Moat was given rolling news coverage. Moat had critically injured his ex-partner Samantha Stobbart, he had murdered her new boyfriend and he had gone on to shoot and blind an off-duty policeman. Excerpts from the tapes he’d recorded over a two-year period, and those made during his subsequent week-long hide-out in the Northumbrian countryside, provided an audio backdrop to the story. But given that the case has...

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Bombing of Germany, National Geographic

Josh Spero

By complete coincidence, this afternoon I tuned in to Air Force, Howard Hawks's 1943 propaganda picture: chiselled young airmen fill a B-17  "flying fortress", dropping their payloads over Japan, both a news service and wish fulfilment for domestic audiences. Their sharp, sweaty features glow in the firelight. Their commanders are tough but fair.

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In Their Own Words: British Novelists, BBC Four

howard Male

Every great novel is a world, and every great novelist responds to and recreates their own time in their own image. Therefore how could a three-part documentary series possibly cover that fertile period in British literature that took in both world wars and their aftermath?

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Vexed, BBC Two

Gerard Gilbert Waking the deadpan: Toby Stephens and Lucy Punch in 'Vexed'

Lucy Punch – what a great name for a comedian (or a female boxer). Unfortunately that is the only thing that’s great about Vexed, a new comedy drama written by Howard Overman, creator of Channel 4’s perky ASBO (RIP) superpower fantasy Misfits. His new show is that relative rarity, a...

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The Heroes of Biggin Hill, Yesterday

Adam Sweeting Fitters rearm a Spitfire during the Battle of Britain in 1940

The Yesterday channel’s ongoing “Spirit of 1940” season has provoked a giant surge in its viewing figures, another reminder of the grip World War Two still exerts on large chunks of the British public. The Battle of Britain in particular has become a self-contained historical moment emblematic of what the British regard, or at least used to regard, as their finest characteristics – patience, courage, stoicism and a dogged refusal to accept bullying European dictatorships. Maybe we haven’t...

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Domesday, BBC Two/ Treasures of the Anglo-Saxons, BBC Four

Josh Spero

What was originally a coincidence of reviewing – two dispatches from the Dark Ages, Treasures of the Anglo-Saxons on BBC Four and Domesday on BBC Two – in fact turned into a remarkably instructive diptych of how and how not to make history programmes for the television.

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Madness in the Fast Lane, BBC One

howard Male

Words such as horror, grotesque, shocking and bizarre are fired at us before the title has even appeared on screen: clearly this documentary is set on living down to its sensationalist title. One bleak sunless day in May 2008, Swedish twins Sabina and Ursula Eriksson ran into traffic on the M6. Both miraculously escaped with their lives but then turned on the police officers trying to help them. With a lack of subtlety and restraint typical of this kind of schedule-filler, director Jim Nally...

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