tue 20/05/2025

tv

I Am Slave, Channel 4

Jasper Rees

Television seeks out the stories thrown up by real life. On the one hand there is the obsessive interest in the private lives of the great and good (and not so good) from Margot Fonteyn to Tony Blair. Other dramatists eagerly accept the responsibility to hold a mirror up to society in all its ills from the Ipswich murders to the travails of 19th-century lesbians. But the task that all writers have to face, whoever’s story is being told, is to make the narrative dramatic.

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In Their Own Words: British Novelists, BBC Four

graeme Thomson

“The empire writes back” was Salman Rushdie’s pithy summation of the process that changed British literature during the late Seventies and early Eighties, a shift epitomised by his novel Midnight’s Children winning the 1981 Booker prize. It wasn’t just the empire.

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E Numbers: an Edible Adventure, BBC Two

Gerard Gilbert

Food writer Stefan Gates seems to have spent his whole life in wilder regions, whether clambering naked up a rain-swept Giant’s Causeway (yes, that‘s the six-year-old Stefan, with his sister Samantha, on the cover of Led Zeppelin’s 1973 album Houses of the Holy), or eating sheep's testicles...

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I Can't Stop Stealing, BBC Three

Ismene Brown Britain has the worst shoplifting problem in Europe, so why can't TV take it seriously?

As a journalist with a sense of pride about what we reptiles can achieve, sometimes I shudder at the awfulness of what passes for journalism. The licence fee in theory confers on the BBC some moral purpose higher than that of the base commercial stations, doesn’t it? (Given that it implies Commercial = Bad, Public Service = Good.) So a BBC Three documentary on shoplifting should probably be an example of higher journalism? Maybe something that rams home deeper truths either about the...

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My New Brain, Channel 4

Fisun Güner Having sustained a traumatic head injury Simon Hales learns to get acquainted with his new brain

When Simon Hales, a 20-year-old university student, fell from a 20ft wall during a tipsy night out, nobody knew whether he would pull through. He'd suffered a horrific brain injury and would spend the next five weeks in a coma. Luckily, he did pull through, though nobody could recognise the newly awakened Simon from the old Simon. His mother told us that her son "evidently wasn’t Simon”. She loved him, she said, but “what I'm looking for is the son that I had to come back".

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Big Brother, Channel 4

howard Male The eye had it, and will be sadly missed by our unapologetic critic

There is a lot of talk about the contestants' experience of Big Brother but little about the viewer’s experience. During its decade on air there was a drop-off of both the red tops' shock-horror coverage and the intellectualised justifications put forward by the quality press, and inevitably this resulted in viewing figures also declining with each passing year. But I confess I remained an avid viewer. It’s not what you watch, it’s how you watch it, I would say to baffled friends to...

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Mountain Gorillas, BBC Two/ Horsepower with Martin Clunes, ITV1

Ismene Brown Mountain Gorilla: eats shoots and leaves, but will others leave it alone?

People are lured to behave like animals for TV now - Big Brother, Celebrity Jungle, The X Factor - so it merely completes the idiotic equation to have animals insistently transfigured into little humans in wildlife TV. Or big, hairy humans in the case of mountain gorillas and Martin Clunes.

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Teen Undertaker, Channel 4

graeme Thomson

This quirky, compelling little Cutting Edge film never really worked out what it wanted us to think about what we were seeing, which in the end played to its advantage.

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The Raoul Moat Tapes: Inside the Mind of a Killer, Channel 4

Fisun Güner According to a psychiatrist, Moat had to kill 'in order to feel better'

After going on his murderous rampage earlier this summer, the police hunt for Raoul Moat was given rolling news coverage. Moat had critically injured his ex-partner Samantha Stobbart, he had murdered her new boyfriend and he had gone on to shoot and blind an off-duty policeman. Excerpts from the tapes he’d recorded over a two-year period, and those made during his subsequent week-long hide-out in the Northumbrian countryside, provided an audio backdrop to the story. But given that the case has...

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Bombing of Germany, National Geographic

Josh Spero

By complete coincidence, this afternoon I tuned in to Air Force, Howard Hawks's 1943 propaganda picture: chiselled young airmen fill a B-17  "flying fortress", dropping their payloads over Japan, both a news service and wish fulfilment for domestic audiences. Their sharp, sweaty features glow in the firelight. Their commanders are tough but fair.

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