fri 18/07/2025

tv

The Shadow Line, Series Finale, BBC Two

Adam Sweeting

I see there are still a few brave souls trying to peddle the "searing televisual masterpiece" line, often in high-profile BBC publications, but I suspect rather more of us may have been veering towards an ever-healthier scepticism as Hugo Blick's wilfully obtuse noirathon ran around in increasingly demented circles.

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The Choir That Rocks, ITV1

graeme Thomson

Created in 2005 by its director Caroline Redman Lusher, the Rock Choir has become something of a populist phenomenon. It’s a “people’s choir”, which means the songbook leans more towards Robbie Williams than Vaughan Williams. Anyone is welcome to join. There are no auditions and no talent requirements, a fact which will scarcely surprise viewers who last night witnessed the Bristol Rock Choir inflicting a very vocal form of GBH on ABBA's “Waterloo”.

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Luther, Series 2, BBC One

Jasper Rees

A year ago when Luther battered down the door like a wailing banshee in bovver boots on day release, it was all a bit underwhelming. People shrugged and wondered whether Idris Elba was condemned to roam in eternal script limbo. They weren’t at all sure about Ruth Wilson’s parricidal astrosphysicist, all beestung, flame-maned and frog-boxed.

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Camelot, Channel 4

Adam Sweeting Joseph Fiennes as Merlin: Boldly going without Robert Plant's hair

With The Tudors recently departed from BBC Two, the kindly Channel 4 has stepped in to fill the gap with this new cod-mythological romp through a Middle Ages that never existed. Funnily enough, it comes from the same Irish-Canadian production consortium that cooked up The Tudors, and shares similar attitudes to casting, production values and dialogue.

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Angry Boys, BBC Three

Veronica Lee Chris Lilley as Gran with one of her juvenile charges in superhero pyjamas

Chris Lilley may not be a household name, but he is well known to comedy connoisseurs. The Australian's work, which he writes, produces and appears in - in several roles, male and female, adult and teenager - is exceptional, and is by turns funny and challenging, offensive and poignant. You may have seen We Can Be Heroes, about teenage identical twins Daniel and Nathan (played by Lilley), and Summer Heights High, set in a secondary school where the egregious fool Mr G...

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Injustice, ITV1

Adam Sweeting

Fantastic! A new drama series in which the hero isn't a detective. Instead, William Travers (James Purefoy) is a criminal barrister who (after some sort of traumatic, nervous-breakdown-provoking experience we don't know much about yet) has moved from the pressure cooker of the London legal industry to the ostensibly more laid-back environs of Ipswich. He used to specialise in murder cases, but now he swears he's given them up.

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Psychoville, BBC Two

Josh Spero Psychoville's angry, handless (the other one) clown and his senile associate, Mrs Ladybug Face

Psychoville, whose first series was made on such a low budget that one episode was filmed in one room in one take (having the additional benefit of being an homage to Rope), used all the extra cash thrown at it to horrifying effect in its second series finale. A Jacobean plot, with a revivified cryogenically stored Nazi's head and a cremation while alive, was animated with the best technology licence fee payers' cash can give, and instead of being chucked up the wall...

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Case Histories, BBC One

Jasper Rees

Thanks to her evergreen bestseller Behind the Scenes at the Museum, Kate Atkinson can call on an army of fans to buy her work whenever it appears in print. Its debut on screen is, perhaps, another matter. Will they buy the BBC’s rendition of Case Histories? Those who have not had the pleasure of reading it are less advantageously placed to grumble about hideous revisions, outrageous changes and all manner of infidelities.

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Stephen Fry: In Confidence, Sky Arts

Fisun Güner

When a celebrity lets their public mask slip, something wonderful and also disconcerting can happen: they can noticeably become someone else. If they’re lucky, that change can be so marked that they become just another face in a crowd.

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Wonderland: The Men Who Won’t Stop Marching, BBC Two

Jasper Rees

Not long after the Good Friday Agreement, BBC Northern Ireland broadcast a charming drama featuring a tale of two drums. An Ulster Protestant was too wedded to the marching season to join his wife on holiday in Donegal, so she wrought her revenge by destroying his bass drum and replacing it with its Catholic antithesis, a bodhrán. If last night’s The Men Who Won’t Stop Marching is any indication, that won’t be happening on the Shankill Road any time soon.

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