sat 17/05/2025

tv

The Pendle Witch Child, BBC Four

Kieron Tyler

A nine-year-old girl testifies in court. She’s clear, precise and damning. The case revolves around her testimony alone. All the accused – 10 of them, her family and neighbours - are declared guilty and executed. The girl is the only one of the family left alive. Thirty-two years later, the girl faces the same charges. Tried, she’s found guilty but the case goes to appeal. The girl was Jennet Device and the charge was witchcraft.

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Graffiti Wars, Channel 4

Josh Spero

Before Banksy's work became the object of desire for champagne-sipping, canapé-snaffling hedge fund managers at auction houses' private views, there was something of the curled lip about street art. Indeed, for years it wasn't known as street art but graffiti - the painted defacement of walls. London in the Noughties saw the evolution of that view: there could be a legitimate artistic value of this sort of work. However, not all graffiti qualified - much was still mindless vandalism.

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The Borgias, Sky Atlantic

Adam Sweeting

The pre-publicity has been spinning this saga of the notorious Renaissance family as a kind of origin story for The Sopranos. I suppose you could argue that Rodrigo Borgia, like Tony Soprano, was in the waste management business, as he himself suggested when he took the Papal throne as Alexander VI: "God has chosen us as a new broom to sweep the Vatican clean of corruption."

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Chilean Miners: 17 Days Buried Alive, BBC Two

Adam Sweeting

On 5 August last year, a cave-in at Chile's 121-year-old San José copper mine left 33 workers trapped more than 2,000ft underground. Their subterranean ordeal would last 69 days, but this documentary concerned itself with the first 17 of those, the period during which the miners had no contact with anybody on the surface and had no way of knowing if they'd be rescued.

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Who Do You Think You Are? - June Brown, BBC One

Josh Spero

Your typical consumer of Who Do You Think You Are? on BBC One would almost certainly have been disappointed by last night's first instalment of the eighth series. There were no tears from June Brown, EastEnders' Dot Cotton, for a start. That is as it should be: what we got was a model of keen yet detached historical research, nothing from which Brown was going to take life-changing lessons, which is how facile this series can be.

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Shooting Stars, BBC Two

howard Male

“Oh my Gaaaad, you guys are crazy! That’s terrible. How could you say that?” exclaimed Shooting Stars contestant Brigitte Nielsen, unfortunately reinforcing our preconception that Americans just don’t get us Brits and our irony. Although it’s not really irony that Vic and Bob deal in, it’s a kind of vaudevillian surrealism. And they’ve shrewdly worked out that you can say just about anything to anyone as long as its impact is softened by its carefully crafted absurdity and the fact...

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Horizon: Do You See What I See? BBC Two

Kieron Tyler Dr Beau Lotto: colour is 'one of nature’s great illusions'

Life is full of aphorisms ascribing properties to particular colours. The scarlet woman. Red light spells danger. Yet, according to the first in the new series of Horizon, colour is “one of nature’s great illusions”. Even so, wearing red reduces stress and increases confidence. This examination of how colour is seen and interpreted, and how it affects us, revealed that an awful lot of science bods are bothered about how and why we see what we see.

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Camelot, Series Finale, Channel 4

Adam Sweeting Jamie Campbell Bower's King Arthur shows his mettle, but too late to save the series

This wasn't only the series finale, but the last ever episode of Camelot, since the American Starz network has decided to scrap plans for further seasons. It's not hard to see why. After a fairly promising start, Camelot spent several instalments staggering around aimlessly, as if writers and directors had been beheaded by King Arthur's Excalibur. Annoyingly,...

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My Resignation, BBC Four

Jasper Rees

I Resign. It’s not a phrase you hear that often these days. Unlike, obviously, You’re Fired. There was a time, largely synonymous with the era when Tory toffs and grandees had sufficient private income to walk away from employment, that a chap could afford to resign, as the phrase has it, with honour.

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Timeshift: All the Fun of the Fair, BBC Four

Kieron Tyler

Is there a place for the travelling fun fair any more? Static attractions like Alton Towers and Thorpe Park have rides that are bigger, grander, more varied and scarier than anything a traditional, transient fair could ever transport. All the Fun of the Fair’s answer was that the fair has survived by winding the clock back, rekindling the past with original Victorian and Edwardian rides. There’s still room for something less bombastic.

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