mon 14/07/2025

tv

Donor Mum: The Children I've Never Met, BBC One

Fisun Güner

Six months after giving birth to a child conceived through anonymous sperm donation, Sylvia decided to become an egg donor. It was her way, she said, of “giving something back”. It was 1991 and she was to become one of Britain’s first anonymous egg donors. Once she'd left the clinic, she was expected to think no more about it: she was helping an infertile woman realise her dreams, just as she, lacking Mr Right, had been helped to realise hers. She never thought for a minute that her act of...

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Harry's Arctic Heroes, BBC One

Jasper Rees Prince Harry turns out to be a natural in front of the camera, whatever the weather

Does anyone else ever feel a mite sorry for the North Pole? It always takes second billing to its more famous namesake, and you can see why. The South Pole belongs to a continental land mass. Antarctica has penguins, historic huts, and chaps...

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The Field of Blood, BBC One

Josh Spero

The overwhelming impression given in television of urban Scotland in the Eighties is of a land where people had discovered neither vegetables nor lightbulbs. The Field of Blood on BBC One last night went no way towards correcting this: as tenebrous as you might expect for a mini-series about child-killing, everything was shadows.

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Page Eight, BBC Two

ASH Smyth

I think I owe David Hare an apology. When I sat down to watch Page Eight, last night – being, as it is, his latest probing of our moral and political universe – I just assumed that our national intelligence services would be in for a trendy-lefty-type shoeing. But I was wrong.

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American: The Bill Hicks Story, BBC Four

ASH Smyth

Being hailed as “the comedian’s comedian” is all well and good after you’re dead; but – as is often the way with great artists – it didn’t much help to pay the bills while Bill Hicks was walking and talking.

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Gilbert O’Sullivan: Out on His Own, BBC Four

howard Male Maybe the young Tom Waits got one or two sartorial ideas from our Gilbert?

While obviously not as seismic a Top of the Pops moment as Ziggy singing “Starman”, the almost contemporaneous appearance of the flat-capped Gilbert O’Sullivan hunched over his piano as if it were a dying coal fire certainly stuck in my memory as clearly as Bowie’s androgynous space-age carrot-top. Although the flat cap was quickly ditched in favour of casual knitwear and even a hairy chest phase (see pic below), today’s 64-year-...

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Too Much, Too Young: Children of the Middle Ages, BBC Four

Kieron Tyler 'Too Much, Too Young''s Dr Stephen Baxter. A rare moment at rest

Although billed as “a fresh look at the Middle Ages through the eyes of children”, presenter Dr Stephen Baxter had to admit the bulk of historic evidence for how medieval children lived their lives was written by adults. Unfiltered accounts from a child’s perspective are rare. Poring over the 1086 Domesday Book, the census of who, what and where, he noted that children aren’t mentioned. Evoking the barely known is a hard log to roll, and this frustrating programme barely nudged it...

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The Hour, Series Finale, BBC Two

graeme Thomson

Part of the fun of watching The Hour, in the absence of a coherent plot, convincing characters and plausible period dialogue, was ruminating on the myriad different ways it could be sliced: a grown-up Press Gang meets Mad Men? The Spy Who Came in From the Cold versus Spooks? All the President’s Men crossbred with Foyle’s War?

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Horizon: The Nine Months That Made You, BBC Two

Fisun Güner

This was the sort of science programme that an interested non-science person like me finds immensely irritating. It began with a series of statements which were, in fact, meaningless overstatements. Not only this, but these overblown statements tripped each other up: “Scientists think they’ve discovered the secrets of a healthy, happy, long life – for all of us” (don’t you just hate this kind of teasing nonsense that treats us all either like fools or Daily Mail readers?) was...

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The Man Who Crossed Hitler, BBC Two

Adam Sweeting

Out of the blue, in the middle of the midsummer slump, came this unusual and original one-off play (I say "play" because it would convert naturally to the stage). Finding a new angle from which to explore Hitler and the Nazis might seem impossible, since few subjects have had their bones picked clean more obsessively. A keg of schnapps, then, to writer Mark Hayhurst, who successfully pulled this one out of his hat.

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